Tag Archives: Lindsey Corey
Slow Burn’s Immersive Tarzan Is High-Flying Welcome To Jungle
Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.
Company Has Shining Moments, Falls Short Of What Could Be
MNM’s production of Stephen Sondheim’s groundbreaking musical Company is intermittently lit with incandescent performances worth the price of admission by themselves, but the overall piece disappointingly lacks crispness, passion and, until the last 10 minutes, heart.
Slow Burn’s Xanadu Skillfully Follows A Middling Muse
Slow Burn Theatre has certainly captured Xanadu’s vibe in the company’s spirited, stupidly happy revival of its own 2012 production, which opened last weekend in Aventura and which will soon tour Delray Beach and Fort Lauderdale
Playhouse’s Million Dollar Quartet Kicks Out The Jams
It almost should go without saying that the rock ’n’ roll blisters the paint off the walls of Actors’ Playhouse’s balcony theater in its thoroughly satisfying edition of Million Dollar Quartet.
Letter From Bill Hirschman To Stephen Sondheim: Come On Down To Visit Actors’ Playhouse
The Actors’ Playhouse production of Sondheim On Sondheim transcends the Broadway edition in nearly every detail. The work by eight inspired performers and the band, molded by director David Arisco and musical director David Nagy, would make the master proud.
Slow Burn Theatre’s Violet Blossoms But Doesn’t Bloom
Fine talent, stirring music and Slow Burn Theatre’s enthusiasm elevate the musical Violet, but the material has consistent void somewhere deep down in this musical’s emotional investment.
Hard-Working Cast Can’t Save The Trial Of Ebenezer Scrooge
Actors Playhouse’s production of The Trial of Ebenezer Scrooge has a talented cast working hard under the direction of David Arisco, but good grief, what a waste of the resources of Mark Brown’s lame script. For one hours and forty minutes (including intermission), the audiences waits and waits for a single new riff in the Scrooge story, even a shred of logic explaining Brown’s basic premise.
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