Tag Archives: Palm Beach Dramaworks
News Roundup: Dramaworks, Jan McArt / Lois Pope, Wick, Playgroup LLC, Slow Burn
Lots of news about Palm Beach Dramaworks’ new play festival, Lois Pope teams up with Jan McArt, Playgroup LLC to close, fundraisers for Slow Burn, GableStage and Insight for the Blind
Dramaworks’ Fences Rages Against The Dying Of The Light
In Palm Beach Dramaworks’ triumphant production of August Wilson’s Fences, this Troy Maxson rages. Whether this physical kinetic Troy is delivering a defiant challenge to death, railing at the racial prejudice that has undercut his dreams, or privately excoriating his own guilt for making destructive choices — this Troy unleashes a lifetime of festering wrath in a basement barrel baritone.
Actor Returns To Fences To Explore New Vulnerability
Last July, Lester Purry had just finished playing the volcanic Troy Maxson in August Wilson’s most popular play Fences at Portland Playhouse in Oregon. “I told my wife, I’m never doing this play again,” he recalled last week. Then the phone rang.
Palm Beach Dramaworks And Theatre Lab To Host New Play Festivals On The Same Weekend
South Florida will reinforce its commitment to new play development in January with two simultaneous new play reading festivals at Palm Beach Dramaworks and FAU Theatre Lab during the first weekend of the year.
Painful Drama, Absurdist Comedy Commingle In Dramaworks’ House on Fire
The script and the production of Palm Beach Dramworks need some refining, but when it’s most in the pocket, the world premiere of Lyle Kessler’s House on Fire dances a delicate pas de deux between comedy and tragedy, tension and levity, verisimilitude and whimsy, operating in its own subgenre of magic realism aka screwball existentialism.
Exploring The New Work: Dramaworks’ House On Fire
When a theater produces Death of a Salesman , it’s not unknown territory. The director can adopt, adapt or depart from what has been done before. But when it’s a world premiere such as Palm Beach Dramaworks’ upcoming Lyle Kessler’s House on Fire, there are no roadmaps other than the still evolving script about which even the playwright is making discoveries during rehearsal.

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