Tag Archives: Maltz Jupiter Theatre
Have you ever watched a play and complained, “I could end it better than that!” Here’s your chance. You – along with everyone else in the audience—gets to choose this month among 54 possible endings in the Maltz Jupiter Theatre’s revival of the charming 1985 murder musical The Mystery of Edwin Drood.
In the prologue of Maltz Jupiter Theatre’s production of Dracula: A Comedy of Terrors, the actors literally throw out the book—chucking their musty copies behind them with the satisfaction of college graduates tossing their caps. And besides, they add, they want to get us all out of here within 90 minutes—an admirable goal for many new plays and, in this case, a small mercy.
The Maltz Jupiter Theatre, one of the state’s most artistically and fiscally successful companies, has withdrawn its upcoming shows from consideration for Carbonell Awards for the coming season. The Carbonell board interpreted a brief letter from company to mean that it did not want its past productions from calendar year 2019 to be considered either.
The electrifying choreography by Al Blackstone and the vibrant staging by Marcos Santana in the Maltz Jupiter Theatre’s West Side Story not only wipe away any disappointment at not seeing Jerome Robbins’ vision, their work is so strong and original that Robbins rarely invades the audience’s consciousness.
For a director born in Puerto Rico, Marcos Santana sees West Side Story’s depiction of gang warfare between New York natives and Puerto Rican immigrants containing some aspects that don’t quite ring true for contemporary residents of the Caribbean island.
The Maltz Jupiter Theatre’s Mamma Mia! gets its mojo from a strong, consistent cast to carry out the sitcom-esque plot that is held together as if by taffy – twenty 1970s radio hits that are ingrained in pop culture.
It’s unfair to the Maltz Jupiter Theatre’s Beauty and the Beast — which is as thoroughly charming on its own merits as you could ask — but understandable that the focus is diverted to its use of puppets to portray the enchanted household objects. So, yes, the vision that Producing Artistic Director Andrew Kato and director John Tartaglia came up with does indeed work, .
The musical Beauty and the Beast has been done so often that the challenge facing producers, artists and audiences is how to reinvigorate the magic. The Maltz Jupiter Theatre asks what if the enchanted household objects were not actors dressed in anthropomorphic costumes, but instead actually were the objects – represented by puppets.
The perennial tear-jerking Steel Magnolias, now at the Maltz Jupiter Theatre ought to work, but doesn’t succeed this time.. But those objectivity. Those seeking theater that provokes or stimulates, that questions our biases or expands our worldviews — catnip to critics and adventurous audiences — will find little nourishment in Robert Harling’s provincial 1987 dramedy.
Some South Florida theaters are scrapping some of what they plan to put on stage this season or next. Some are leaving support positions unfilled. Some plan smaller cast shows. Some have sidelined plans for growth. Theaters are scrambling to cope with an unexpected 90 percent slash in state funding. But theater champions vow to fight back by organizing patrons and leading citizens to influence lawmakers.