Tag Archives: Maltz Jupiter Theatre
The Maltz Jupiter Theatre’s nearly flawless production with a gloriously delivered score and nuanced script is a reminder that South Pacific is a contender as one of the most affecting and best constructed examples of the genre.
It’s likely that people involved with the Maltz Jupiter Theatre’s upcoming production of South Pacific know that cynics will question why mount yet one more production of this classic. But director Gordon Greenberg and star Erin Davie know the answer. Actually, several answers.
If it’s February, then theater companies are taking advantage of the visiting snowbirds presence to announce what they hope will be an enticing slate of titles for the 2018-19 season.
Maltz Jupiter Theatre’s An Inspector Calls focuses with laser intent on what the evolving socialist J.B. Priestley saw as its thematic marrow — all individuals have an inescapable responsibility for the well-being of every other human being, and that privileged classes seem obscenely inured to that duty.
Everything about the Maltz Jupiter Theatre’s Hairspray has volume, and then some . . . from the bubblegum-bright lighting design to overdrawn characters that, while definitely animated, never come off as cartoonish, to the Maltz’s always super snappy choreography that’s as perfectly coiffed as a beehive hairdo plastered with Aqua Net
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
The Maltz Jupiter Theatre gives the Disney Broadway musical Newsies something to shout about with its energetic, acrobatic, tap-dancing, choreographic eye-popper of a staging about a group of rag-tag guttersnipes, who end up taking on the establishment.
Tune will headline a one-night-only benefit concert Nov. 18 for the Maltz Jupiter Theatre and its education programs. The theater hired a ten-piece orchestra and re-orchestrated the more modest score that Tune has been using in a recently reconstituted tour. He will also provide a master class for students earlier in the day.
Maltz Jupiter Theatre’s season-opening rendition of Born Yesterday can’t pave over the script’s glaring weaknesses, but it amplifies the source material’s progressive strengths. Director Peter Flynn has mounted a handsome and drum-tight production anchored by a pair of note-perfect leads.
If you know where to look, certainly you can find reliable warhorse titles in the upcoming theater season in South Florida, but it’s easier to find vibrant, contemporary and challenging offerings.