Tag Archives: Marcia Milgrom Dodge

Riverside’s A New Argentina And A New Look At Evita

The musical may have been around for decades, but Riverside’s triumphant production of Evita proves that the show has a strong universality that rings as loudly today as it did 40 years ago. The show brims with exhilarating invention and the fresh point of view by its director/choreographer Marcia Milgrom Dodge.

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Maltz’s Steel Magnolias Wilts

The perennial tear-jerking Steel Magnolias, now at the Maltz Jupiter Theatre ought to work, but doesn’t succeed this time.. But those objectivity. Those seeking theater that provokes or stimulates, that questions our biases or expands our worldviews — catnip to critics and adventurous audiences — will find little nourishment in Robert Harling’s provincial 1987 dramedy.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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Everything’s Coming Up Roses With Lewis & Dodge In Gypsy

Merman. Lupone. Daly. Lansbury. Taking not a scintilla away from those iconic performances, you have never seen a Mama Rose like the one Vicki Lewis incarnates in Maltz Jupiter Theatre’s unique but masterful take on Gypsy.

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Working To Ignore The Ghosts In Maltz Jupiter’s Revival Of Gypsy

When a theater revives the musical Gypsy as the Maltz Jupiter Theatre is doing this month, there is always the ghost in the room. So the challenge for director Marcia Milgrom Dodge and her favorite leading lady Vicki Lewis is to preserve the iconic tropes while putting their unique fresh stamp on a work.

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The Best Of Times Is Now: Memorable Moments Of 2014

Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.

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Fiddling About: The Maltz Again Reinvents A Classic Musical

Director Marcia Milgrom Dodge triumphed reinventing Hello Dolly! in 2012; this time she hasn’t been quite as unassailably successful, but the overall evening grows on you as it swells into a moving second act, in part because the music, lyrics and script are so strong that it cannot possibly fail when executed by such a first-rate cast and creative team.

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Maltz’s Lovely The King And I Is Rapturous Musical Theater

Not taking a thing away from Sondheim or anyone else who followed them, but the Maltz Jupiter Theatre’s glorious production of The King and I reminds you that when it’s done right, nobody can touch Rodgers and Hammerstein for well-crafted musical theater marked by heartfelt lyrics and soaring melody.

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Director & Star Deliver Fresh Hello Dolly As If It’s Brand New

There’s a brand new musical comedy you’ve never seen before playing at the Maltz Jupiter Theatre. It’s something called Hello, Dolly! and if you think you’ve seen it before, we’ll argue with you. Because director/choreographer Marcia Milgrom Dodge and leading lady Vicki Lewis invest the Jerry Herman-Michael Stewart warhorse with a freshness that nearly obliterates the iconic images created by Gower Champion and Carol Channing.

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Director and Star Seek Fresh Spin on Hello Dolly at the Maltz

Director Marcia Milgrom Dodge and actress Vicki Lewis face that old psychology experiment: Imagine there’s an elephant in the room. Now ignore the elephant in the room. In their case, the elephants, plural, are Carol Channing and the iconic Gower Champion production of Hello, Dolly! engraved in the minds of much of the audience coming this month to see the warhorse at the Maltz Jupiter Theatre.

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