Tag Archives: Irene Adjan

Love, Like Snow, Swirls Through Gentle Comedy ‘Almost, Maine’

The celebration of love in many permutations – from first connections to farewells – swirls around the stage like the snow and the aurora borealis lights in Palm Beach Dramaworks’ gentle, sometimes comic, sometimes bittersweet, consistently touching Almost, Maine. The vignettes about the quirky residents creating, testing, dissolving relationships is shot through with the hope that love can be found or rescued.

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A Deeper Look Inside Dramaworks’ Almost, Maine

There is a fifth crucial performer not mentioned in the playbill for Palm Beach Dramaworks’ upcoming production of “Almost, Maine.” High above the residents on a chilly Friday night in late January in the titular small town, a parade of lights flickers like the bottom of a multicolored curtain.

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Despite The 10-Foot Star, ‘Mastodon’ Not Just Child’s Play

Yes, there is broad humor, over-the-top characters, cartoonish sets, a fairy tale vibe and a 10-foot tall puppet, but Theatre Lab makes it clear that Rachel Teagle’s world premiere script of The Impracticality of Modern-Day Mastodons is not children’s theater, but an adult evaluation of dreams.

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Story of a Life Traces Harrowing Journey of Alzheimer Caregivers

It’s an obvious truism that most theater art – from dialogue to the lighting design – is partly a product of the artists’ past experience. But playwright-director Amy London’s Story of a Life, a harrowing examination of generations caring for loved ones suffering from Alzheimer’s disease, is ripped directly from the marrow of her own painful past.

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Theater Artists Struggle With Unique Fears, Fallout And Uncertainty From Virus Drama

Six months into the pandemic, theater artists are struggling with a profoundly damaging dimension particular to their purgatory-like limbo: The calling that gives their lives meaning requires interaction with other people in the same room. Late this summer, 33 South Florida storytellers agreed to draw back the curtain on their backstage battles that form the spine of an all too real three-act drama.

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Theatre Lab’s The Glass Piano Is Fairy Tale With Adults’ Lessons

There’s something irresistibly intriguing when a whimsical fairy tale is invoked to teach life lessons to adults. Theatre Lab’s The Glass Piano may have a befuddled king, a savvy servant and a lovely princess. But Alix Sober’s delightfully fanciful and imaginative work is absolutely not a children’s play.

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City Theatre’s The Cake Honestly Explores Multiple Layers Of Current Controversy

City Theatre’s production of The Cake, about a baker who refuses to make a cake for a lesbian couple, digs deep below stereotypes to examine the contemporary clash between sincerely held principles that threaten to cripple relationships among people who care for one another – or at least have to live in the same world.

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Funny & Tragic Pursuit Of Fame In The House Of Blue Leaves

The House of Blue Leaves gets as funny and touching a production from Palm Beach Dramaworks as anyone can ask for. Its virtues include superb direction, a flawless creative team and a wall-to-wall cast of actor-clowns willing to bury themselves inside the off-kilter and flawed characters.

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GableStage Mounts Its Unique Passionate Take On Indecent

GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.

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This Season’s Winter Shorts Is A Mixed Bag At City Theatre

Much like the holiday season itself, there are things to endure and other instances that are jolly. That’s the mixed bag of City Theatre’s Winter Shorts now playing at the Carnival Studio Theater at the Adrienne Arsht Center for the Performing Arts.

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