Tag Archives: Wayne LeGette
MNM’s production of Stephen Sondheim’s groundbreaking musical Company is intermittently lit with incandescent performances worth the price of admission by themselves, but the overall piece disappointingly lacks crispness, passion and, until the last 10 minutes, heart.
One quiet fear of frequent theatergoers is that some well-meaning troupe will bungle a piece they love and override precious memories with mediocrity. Well, breathe easier. The Wick Theatre’s rendition of Guys and Dolls, widely considered one of the best musical comedies ever written, is as buoyant and spirited a triumph as a fan could wish.
The intersection, overlap and conflict of love and sex – but above all how they affect relationships — form the basis of Theatre at Arts Garage’s uneven but intriguing entry appropriately entitled The Mystery of Love and Sex with an emphasis on the word Mystery.
The strength of the acclaimed 2006 play Froist/Nixon is that no one is depicted in pure white hats or black hats. That facet is brought out in the Maltz’s production better than in any earlier edition thanks to a complex multi-faceted creation by actor John Jellison under the impeccable direction of J. Barry Lewis.
Actors Playhouse’s production of The Trial of Ebenezer Scrooge has a talented cast working hard under the direction of David Arisco, but good grief, what a waste of the resources of Mark Brown’s lame script. For one hours and forty minutes (including intermission), the audiences waits and waits for a single new riff in the Scrooge story, even a shred of logic explaining Brown’s basic premise.
Simply, MNM Productions’ effort may be the best production of Side by Side by Sondheim seen in South Florida or many other places. Four superb performers act the dramatic, psychological and emotional guts out of these numbers; the result was often moving and stimulating renditions of theater songs about specific people in specific situations rather than disembodied “numbers.”
Harvey Fierstein’s thought-provoking Casa Valentina play at GableStage explores is that sexuality as an infinitely varied stew of preferences, prejudices and other ingredients in varied measures
Boca Raton Theatre Guild’s production of Tuesdays With Morrie has increasing resonance for Boomers caring for their parents.
This Into The Woods by DreamCatcher Theatre and Theater Up Close is so heartbreakingly uneven that it may bring Sondheim lovers close to tears. Long stretches are so skillfully and lovingly executed that you want to cheer. Others fail to conquer this difficult work. But the misstep is the high-profile casting of Tituss Burgess in the linchpin role of the Witch.
A delightfully demented cast enhanced by the inventive imagination of chief jester/director David Arisco and choreographer Ron Hutchins make Actors’ Playhouse’s Spamalot a satisfying pleasure even on its fourth or fifth visit.