Tag Archives: Krystal Millie Valdes

Theater Artists Struggle With Unique Fears, Fallout And Uncertainty From Virus Drama

Six months into the pandemic, theater artists are struggling with a profoundly damaging dimension particular to their purgatory-like limbo: The calling that gives their lives meaning requires interaction with other people in the same room. Late this summer, 33 South Florida storytellers agreed to draw back the curtain on their backstage battles that form the spine of an all too real three-act drama.

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Maltz’s Brighton Beach Memoirs Makes Strong Memories

Home is the place where they have to take you in, to paraphrase Robert Frost. It’s also the place where every family dynamic plays out — love, resentment, growing pains, conflict, chaos, worry and secrets — as shown in the Maltz Jupiter Theatre’s superb production of Brighton Beach Memoirs, smoothly directed with a first-class cast, the Maltz production hits all the high notes

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Upcoming Brighton Beach Memoirs Is Different Neil Simon

With the Maltz Jupiter Theatre’s upcoming Brighton Beach Memoirs, director J. Barry Lewis says people need to “come forward with a new perspective on what a Neil Simon play is, not just what you think.”

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Funny & Tragic Pursuit Of Fame In The House Of Blue Leaves

The House of Blue Leaves gets as funny and touching a production from Palm Beach Dramaworks as anyone can ask for. Its virtues include superb direction, a flawless creative team and a wall-to-wall cast of actor-clowns willing to bury themselves inside the off-kilter and flawed characters.

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One Man, Two Guvnors Is Entertaining If A Bit Long

There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.

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Family Strife, Motherhood & Hope In Theatre Lab’s Tar Beach

The emotional cauterizing of an already withdrawn teenager by a family dynamic of furious fights and fierce sibling rivalry forms the core of Tammy Ryan’s Tar Beach, receiving a sensitive examination from Theatre Lab.

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Thinking Cap’s Crooked Captures The Pain of Adolescence And The Pain Of Being A Parent

Thinking Cap Theatre’s Crooked superbly captures the fear, confusion and pain of being an adolescent – and the same fear, confusion and pain struggling to raise one. With vibrant performances expertly directed, its an absorbing, moving and shattering journey that touches on religion, sexual awakening, and especially the prickly but prevailing mother-daughter relationship.

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Starry Night In New City Players’ Transcendent Constellations

It’s almost paternalistic to praise New City Players as one of the gutsiest theaters in the region. But with its carefully-wrought and moving production of Constellations, the Players have outgrown the well-meant but limited expectations that arts patrons have of a so-called “fledgling theater.”

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Thinking Cap’s Emperor of the Moon Is Delightful Lune-acy

With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.

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New City Players’ Uneven, Occasionally Brilliant Clybourne Park is Not Black & White

Produced competently, with flashes of brilliance, by New City Players at the Vanguard, Clybourne Park’s expose of the evolving presentation of white privilege over generations has lost some of its structural novelty, observational luster and ability to shock in the seven years since its regional premiere at the Caldwell

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