Reviews
Bell Book And Candle Only Intermittently Casts A Spell
Broward Stage Door’s quite serviceable but not bewitching production of this 1951 fantasy love story doesn’t feel especially magical in the first act, but it locates the right bag of pixie dust in the second act to show why director Michael Leeds wanted to do the play.
Affair In Reverse Provides Thoughtful Fodder In Betrayal
If God is omniscient, He must be inconsolably sad. Zoetic Stage’s superb production of Harold Pinter’s Betrayal puts its audience in that poignant and painful position in which Knowledge is, indeed, the poisoned apple in Eden.
Report From New York: Fun Home Is Profound Look Back At Who And What Made Us
After love, compassion has to be the highest virtue of humanity. That tender melding of sympathy and forgiveness for human failings and their resulting tragedy suffuse the transcendent musical Fun Home, a front runner for the Best Musical Tony and numerous others.
Spoof Of ’30s Musicals, Dames At Sea, Lands At The Wick
We were tough last week on the national tour of Anything Goes. If those folks want to know what we were hoping to see, they should take the day off and drop in on what The Wick Theatre is doing with Dames At Sea with a fifth of the resources.
FGO’s English Language “The Consul” Is Affecting Nightmare
Florida Grand Opera’s production of Gian Carlo Menotti’s The Consul is somehow far more emotionally potent than fairy tale stories of ancient star-crossed Egyptian beauties and 19th century abandoned Japanese naifs wailing repetitively in languages you don’t understand.
So-So Anything Goes: Better You Should Listen To The Cast Album
It would be inaccurate to compare the soggy national tour of the sea-borne Anything Goes to the Titanic. But if there ever was proof that Broward Center audiences will give a standing ovation to anything, it was the opening night Tuesday of a pallid production so lackluster that someone should have thrown a life preserver at it.
Outre’s Bloody Bloody Andrew Jackson Is, Well, Bloody Good
With bracing anger, profuse profanity and biting satire that is more slashing than surgical, Outre Theatre Company’s Bloody Bloody Andrew Jackson will not to be everyone’s taste but for those whose preference run more to Rent than Mamma Mia, this is your acidic cup of tea.
Some Drama Kicks Off A Chorus Line At Broward Stage Door
Most critics despise adding a letter grade to their review. But watching Broward Stage Door’s admirable production of A Chorus Line kept bringing up over and over the idea of a “B” and what that means. That’s not any kind of insult. In fact, given Stage Door’s resources, it’s a genuine compliment.
A PaperStreet Web Design
