Reviews
GableStage Mounts Its Unique Passionate Take On Indecent
GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.
One Man, Two Guvnors Is Entertaining If A Bit Long
There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.
The Vision Is The Star In Highly Theatrical Curious Incident
Usually, Zoetic Stage’s director Stuart Meltzer’s deft work is almost invisible to audience members other than bringing a fresh vision to familiar titles. But his masterful work in The Curious Incident of the Dog in the Night-time is so clearly displayed that his reinvention becomes the “star” of the production.
Maltz Let’s Mamma Mia! Sing Keeping Stage Version Intact
The Maltz Jupiter Theatre’s Mamma Mia! gets its mojo from a strong, consistent cast to carry out the sitcom-esque plot that is held together as if by taffy – twenty 1970s radio hits that are ingrained in pop culture.
SoFla Symphony Delivers Many High Notes With Porgy and Bess
If there is one disappointment about the South Florida Symphony’s ambitious staging of Porgy and Bess it is that there aren’t more opportunities to see the production. The Wilton Manors-based symphony scheduled only three performances and the third Wednesday, Jan. 23 at the Broward Center for the Performing Arts, where a grand gala will close the run.
Wick Actress’ Funny Girl Gives Fanny Her Own Endearing Stamp
Few theatrical challenges are as a daunting as actor taking on an iconic role made unforgettable by an inimitable talent in a career-making performance engraved in the popular consciousness. But actress Stephanie Maloney has surmounted that peak in her unassailably solid and personalized incarnation of Fanny Brice in The Wick Theatre’s Funny Girl.
Riverside’s A New Argentina And A New Look At Evita
The musical may have been around for decades, but Riverside’s triumphant production of Evita proves that the show has a strong universality that rings as loudly today as it did 40 years ago. The show brims with exhilarating invention and the fresh point of view by its director/choreographer Marcia Milgrom Dodge.
Deep And Complex, A Shayna Maidel Thrives In Its Contrasts
Whether you have seen A Shayna Maidel before, Chicken Coop Theater at Levis JCC Sandler Center does a fine job keeping intact Lebow’s touching drama and its very definite Holocaust theme. But this production goes one smart step further, finding more universal themes of love and loss, parents and their relationships to their children, and the bond of siblings.
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