Tag Archives: Jim Gibbons

Pigs Do Fly Gains A Bit More Altitude With New “Flying High!”

The writing seems a little sharper, the direction more incisive and the acting a bit more credible at Pigs Do Fly Productions’ new Flying High. Some of the playlets still are a bit lamer than others and some still limp along a bit, but there’s a noticeable uptick in the quality of this evening meant to provide a quiet, gentle smile.

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Uneven But Unsettling “Bug:” This Is How The World Ends — With A Bang And A Whimper

Evening Star and Infinite Abyss co-produce Tracy Letts’ surreal depiction of spiraling paranoia complete with copious amount of blood in an edition that slogs too slowly too long but ratchets up into an emotional and psychological fireball of horror.

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Minor Quibbles Aside, Success Still In The Cards For Gin Game

More so than the play’s sudden violence or its firecracker bursts of profanity, it’s The Gin Game’s references to nursing homes as God’s waiting rooms that stick with you in Evening Star’s production.

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Outre’s Nightmarish ‘Back Of The Throat’ Exposes How Post 9/11 Paranoia Allows Abuses

The temptation is to describe the nightmarish Back of the Throat as Kafkaesque as Outré Theatre Company depicts an America gone mad. But it’s not. That’s the real horror. The extremities unfolding before the audience are a logical if artistically exaggerated extrapolation of the paranoia and xenophobia unleashed against Arab-Americans after 9/11. It’s naturalism not surrealism.

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Laura Ruchala & Evening Star: Tragedy Tomorrow, Rollicking Comedy Of Errors Tonight

Despite the death of director Laura Ruchala, Evening Star Productions’ The Comedy of Errors is a rollicking ebullient edition of Shakespeare’s farce of mistaken identities. Ruchala’s playful play-filled vision embraces every stripe of daft and deft comedy from Will’s word play to slapstick.

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Outré’s Mr. Marmalade Is An Acquired Taste, Perfect for Savvy Theatergoers

Outré Theater Company goes out on a limb for Mr. Marmalade and for savvy audience members who want to be challenged, it couldn’t be more smartly satisfying.

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Art Transforms Lives In Thinking Cap Theatre’s Haunting The Drawer Boy

The bonds of friendship and the power of art to transform lives are illustrated in The Drawer Boy by Michael Healey, now receiving a lovely production at Thinking Cap Theatre in Fort Lauderdale.

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Sarah Kane’s Cleansed Is Violent, Surreal Offering

Like Kane’s Blasted at GableStage in 2010 and 4:48 Psychosis at Naked Stage in 2008, Cleansed defies reactions that involve verbs such as “liked” or even “appreciated.” Even more than those other two plays, this minimalist script given flesh and form by the imagination of director Nicole Stoddard is a harrowing and frankly upsetting descent into Hell jammed with random sadistic violence targeting those who dare love.

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Infinite Abyss Snow White Trash Starts Funny, Then Drifts

The first 15 minutes of Infinite Abyss’ Snow White Trash is a delightfully zany spoof that imaginatively reinterprets the fairy tale as a crass, royal blue hoot in which Disney’s sweet but dimwitted heroine takes refuge with the mullet-headed Dwarf Family living in a trailer park. Unfortunately, after that, there’s another 50 minutes left.

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