Tag Archives: Michel Hausmann
Michel Hausmann to be Honored With Vinnette Carroll Award
Michel Hausmann, the co-founder and Artistic Director of Miami New Drama, reputedly the largest bilingual theater company in the country, will be honored in November by the Carbonell Awards with the Vinnette Carroll Award.
Is Artist Acting Like A Dog Or Believes It Or What: Premiere Asks Questions Inside Satire
Obviously, the attention-getting element of Bad Dog is the sight of a Miami New Drama actor dressed in a jock strap and a few yellow straps, inhabiting the bizarre essence of a performance artist assuming a dog persona. But it is only one memorable aspect of the world premiere of Bad Dog , the complex comic satire with thematic underpinnings by Harley Elias..
The Drama Behind The Rebirth of Miami New Drama’s Satchmo Musical “A Wonderful World”
The creation of a musical always contains more drama than what ends up on the stage. But then there is the anguish and celebration that commandeered the pre-virus birth and now this winter’s resurrection of A Wonderful World that closed the night before it was to open at Miami New Drama.
Miami New Drama’s 7 Deadly Sins Is A Singular, Year-defining Theatrical Experience
It was only a matter of time until one of South Florida’s most experimental companies would find a way to produce theater outside of a theater. Nine months into a pandemic, the sheer existence of Miami New Drama’s experiential short-play collaboration 7 Deadly Sins feels as surreal as it is miraculous.
Seven Deadly Sins Is Return To Live Theater In Miami
Nine months into the country’s battle against COVID-19, Miami New Drama and its boundlessly imaginative artistic director, Michel Hausmann, have figured out a way to turn vice into virtue, exploring the seven deadly sins in an ambitious return to live theater beginning Nov. 27.
Racism & South Florida Theater: Changing The Dance Steps
Asked to spotlight specific problems and potential solutions, everybody had a story of racism infecting the South Florida theater community. Some cited unintentional micro-aggressions in pressure-laden rehearsals. Others underscored systemic failings whose reform will require leaders, supporters and audiences to revaluate everything from what goes on stage to who decides what goes on stage.

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