Author Archives: Bill Hirschman

Extra! Extra! ‘Newsies’ At The Maltz Is Newsworthy

The Maltz Jupiter Theatre gives the Disney Broadway musical Newsies something to shout about with its energetic, acrobatic, tap-dancing, choreographic eye-popper of a staging about a group of rag-tag guttersnipes, who end up taking on the establishment.

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MNM’s Witty Little Shop of Horrors Is Open For Business

When entering a theater playing a musical you’ve enjoyed numerous times, it’s comforting to open the playbill to find the names of proven talents that reassure that you and the material are in good hands. Names, for instance, like Mike Westrich, Bruce Linser, Mallory Newbrough, Paul Reekie and Jim Ballard – some of the dependable hands delivering a solid entertaining edition of the delightful Little Shop of Horrors from MNM Productions.

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Complex Bond of William Inge & Tennessee Williams Focus Of Teachout/ Dramaworks Premiere

Some works of art are born in a long gestation period of mulling almost in the unconscious; others leap gloriously to life in an exultant flash that is one of joys of being a creative person. Billy and Me, Terry Teachout’s play about the relationship between playwrights William Inge and Tennessee Williams premiering this month at Palm Beach Dramaworks, is both.

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Florida Road Trip Weaves From Off-Beat To Poignant In Peter Sagal’s Most Wanted

Most Wanted starts out like one of those wacky only-in-Florida tales, but as Peter Sagal’s world premiere at Theatre Lab, evolves the weirdness gives way to poignancy that eclipses the humor and reveals the heartfelt message.

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Responsibility Examined In McKeever’s New ‘The Camp’

The Camp, a world premiere drama from the West Boca Theatre Company does not advance the age-old discussion how “good” people can be passively complicit in horrors, but Michael McKeever’s insightful script and a solid cast under Michael Leeds’ direction expertly provide a three-dimensional illustration that forces the audience to query their own souls about their responsibility to oppose evil.

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Report From New York: This M. Butterfly Flies A Different Route

In this 21st Century revision of 1988’s M. Butterfly, it’s the wrongheadedness of that paternalistic hubris that is taken for granted. This incarnation delves more deeply into the human relations of this fictionalized riff on the true story of a French diplomat who had an affair for 20 years with a Chinese opera singer, only to discover that his lover was a man spying for the government.

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News: Ben Solmor BENefit, Coconut Grove Hearing, Curtains For Andrews Living Arts

News about benefit concert for ailing choreographer Ben Solmor, another public hearing on the Coconut Grove Playhouse set for Thursday, and Andrews Living Arts closes

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She Loves Me Is A Sweet Confection At The Wick

Just in time for the start of the holiday, the Wick Theatre delivers a shiny ornament in the form of the unabashedly romantic musical She Loves Me.

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GableStage’s Visit With Dr. Ruth Westheimer Is Good Company

A genial older woman with a warm smile, a self-deprecating charm and a cute mittel-European accent via Brooklyn greets the audience to her apartment like new neighbors. While packing for a move, she tells the story of her life in vignettes marked by humor and pathos. The narrator providing such good company is the titular heroine of Becoming Dr. Ruth, a one-woman bio-play.

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Florida Grand Opera’s Lucia di Lammermoor Is To Die For

Florida Grand Opera promised a season of Divas to Die For, and it couldn’t have been more on point in that respect with its 77th season opener, Lucia di Lammermoor. Gaetano Donizetti’s bel canto masterpiece may not be as familiar to operagoers as some of the classics, but it’s a crowd pleaser with its 15-minute tour de force which plunges Lucia into hysteria, drama around every corner, and a Romantic score of beautiful melodies.

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