Reviews
Arts Garage’s Reborning: An Emotionally Adrift But Provocative Psychodrama
Arts Garage’s Reborning is a thought-provoking work hints at many weighty topics—the anxieties of pending motherhood, the conflicting desires to both nurture and destroy, the futility of trying to re-create what is lost—but none are fleshed out to a degree of dramaturgical satisfaction.
Lovely Music But The Magic Is Missing At Stage Door’s Carnival
Broward Stage Door’s edition of Carnival, featuring one of the loveliest scores in the canon, under Dan Kelley’s experienced hand features a hard-working cast, some of whom have fine voices doing adequate justice to the gorgeous score and lyrics, but that alchemical enchantment just isn’t there.
Report From New York: Hanging In For The Long & Winding Run
But our recent visit to Broadway took in shows running nearly a full season or even longer – and they seem as vibrant as the reviews said they were on the day they opened: The King and I, An American In Paris and The Curious Incident of the Dog in the Night-time.
Slow Burn Theatre’s Violet Blossoms But Doesn’t Bloom
Fine talent, stirring music and Slow Burn Theatre’s enthusiasm elevate the musical Violet, but the material has consistent void somewhere deep down in this musical’s emotional investment.
GableStage’s It’s Only A Play Skewers And Honors The Craziness Of Theater Folks
GableStage has produced a version Terrrence McNally’s satire about theater, It’s Only A Play, that is funnier and has far more heart than the Broadway edition.
FGO’s Rarely Seen Norma Is Powerful Triumph For Two Divas
Florida Grand Opera’s infrequently mounted Norma, a marathon challenge for sopranos, is a superbly executed triumph that melds technical mastery and gut-wrenching emotion.
Glorious Voices Outweigh Unsubtle Script In ‘The Journey’
The scruffy damaged denizens of New Orleans’ underclass depicted in the musical The Journey: The Story of Your Life really only have one dimension and the subtlety of a freight train, but, good God, the power that this cast and creative team from Outré Theatre Company invest in that one dimension is overwhelming.
Chicken Coop’s Taking Sides Looks At Responsibility Of Artists In Nazi Germany
Ronald Harwood’s script and Chicken Coop Theatre’s production of Taking Sides supposedly even-handed look at art and politics isn’t very subtle for most of the play, but it does have two solid performances and one crippling one.
Island City Stage’s ‘Joan Crawford’ Cranks Up The Camp
Island City Stage gives the first full performance of Michael Leeds’ Who Killed Joan Crawford, a comedy mystery about male friends invited to a birthday party dressed as Crawford characters.
Break out the martinis. It isn’t perfect, but it’s still a helluva lot of fun
Haunting Jewish-Cuban ‘The Golem Of Havana’ Explores Cross Cultural Tragedies
Miami New Drama’s musical The Golem of Havana melds warm comedy and profound tragedy in an intriguing, sometimes moving, often thought-provoking evening. It encompasses the Holocaust, the Castro revolution, a hymn to a Yoruban deity, and Old World klezmer music pivoting instantly into a hot salsa celebration.
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