Reviews
Intriguing Script Needs A Lot More Work In Island City’s The Radicalization Of Rolfe
The world premiere The Radicalization of Rolfe at Island City Stage implies a truly intriguing nesting of premises: starting with how Rolfe, the sweet messenger boy romancing Liesl in The Sound of Music ends up with a swastika on his arm helping the Nazis hunt down the Von Trapps? But this gay-themed drama needs a lot more work on the script.
Wit And Wisdom, Life And Death Spar in Dramaworks’ Premiere of Edgar (Poe) & Emily (Dickinson)
Edgar & Emily, the premiere at Palm Beach Dramaworks, is a fascinating and funny fantasia about Edgar Allan Poe visiting Emily Dickinson late one night dragging his coffin behind him. Joseph McDonough’s wry play examines sensitive introspective artists’ challenge to be fully alive in the ever-present shadow of death – an evening laced with copious quips and witty banter.
Hello, Gorgeous: Buyer & Cellar At Riverside Is A Solid Sale
In Buyer & Cellar, struggling actor Alex More becomes an unlikely cast – from his boyfriend and a supercilious boss to celebrated Hollywood couple James Brolin and his wife, Barbra. If you have to ask “Barbra who?” then perhaps you’ll want to skip this play. But the rest of you should get to Riverside Theatre in Vero Beach right away to see something witty, engaging and surprising as can be.
Rockin’ Memphis Has The Rhythm and The Blues
Tight choreography, outstanding leads, a solid supporting cast and a fluid band infuse Slow Burn Theatre’s trip to Memphis. The rousing production hits the ground running in the opening scene set in a black nightclub in Memphis’ Beale Street area and doesn’t slow down until the last “Na, na, na, na” of the ovation.
Comedian, Rock Star, Memoirist—Mike Westrich’s Dazzling Hedwig Is All Three
It’s fun — and in the two hours of Outre Theatre Company’s transportive production of Hedwig and the Angry Inch, even somehow plausible—to believe that Mike Westrich always has been Hedwig and always will be Hedwig. Free of camp, and gracious even when she’s delivering bawdy double entendres, this Hedwig disappears into the actor as much as the actor becomes her
Stunning Sound From The Stage In FGO’s Orfeo ed Euridice
The sound coming from the Arsht Center stage is almost unearthly and totally unexpected unless you’ve seen the opera Orfeo ed Euridice or heard the unique sound of a counter-tenor before. The voice that ascends to the heavens emanates from a slight of stature man, but if you close your eyes, his high liquid tremelo could just as easily be coming from a female mezzo-soprano.
Riverside’s Gypsy Offers Everything Fans Want
Riverside Theatre gathers its significant resources and sure-footed confidence to mount one of the greatest American musicals ever, Gypsy. Indeed, this is a big, brawny show steeped in legend; and Riverside has the muscle to produce it.
More Than One Kind of Miracle: The Wick’s Lovely Brigadoon
Graced with a soaring pulsing score, leading actors with passionate voices and a wealth of evocative choreography, the Wick Theatre’s Brigadoon lands as one of the company’s most memorable achievements.
Dancing Lessons Teaches More About Life Than Fancy Steps
Dancing Lessons is punctuated with interpersonal strife, frustration, heartache and some very funny moments. But mostly Zoetic Stage’s production is a warm quiet sustained smile for a warm quiet early spring night.
Unabashedly Romantic South Pacific Sets Sail At The Maltz
The Maltz Jupiter Theatre’s nearly flawless production with a gloriously delivered score and nuanced script is a reminder that South Pacific is a contender as one of the most affecting and best constructed examples of the genre.
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