Tag Archives: Darius J. Manuel
In the charming, big-hearted Broadway musical, Head Over Heels, Slow Burn Theatre Company delivers a visually striking, lively, and credible production.
If Dickens’ opening line in A Tale of Two Cities has become a trite cliché through overuse it has become a painfully accurate truism about theater over the past two years, especially South Florida theater. Crippling loss and inspiring resurrection. Surrender and perseverance. And , now, the Covid threat has reasserted. But looking back on those two years delivers a testament worth celebrating and learning from.
Jason Robert Brown’s brilliantly insightful and emotionally powerful Songs for a New World lets you know you’re not going crazy all alone in Slow Burn Theatre’s season opener that would be a triumph even if it didn’t signify a full-throated celebratory return of regional theater.
The 44th Carbonell Awards celebration was unique, not simply because it was online, but because of its acknowledgement of the diversity of the theater community. Honoring excellence for 2019, the awards, which have been quietly accused of not reflecting diversity, pointedly went out of its way to be inclusive in its annual celebration.
Soul and spirit are characteristics we would expect from a production of the multi-Tony-winning musical The Wiz. And, to be fair, Stage Door Theatre’s mounting is, at times, spirited, hip, sassy and soulful. Several scenes feature vivacious acting and expressive singing. But too often, this production is tedious and even moribund.
Tight choreography, outstanding leads, a solid supporting cast and a fluid band infuse Slow Burn Theatre’s trip to Memphis. The rousing production hits the ground running in the opening scene set in a black nightclub in Memphis’ Beale Street area and doesn’t slow down until the last “Na, na, na, na” of the ovation.