Tag Archives: Island City Stage

Bright Colors Is Manic Tour de Force for Island City Stage

Drew Droege’s Bright Colors and Bold Patterns deftly avoids common tropes of the solo show in its compulsively watchable regional premiere at Island City Stage, a fringe festival-style tour de force for actor Thomas Mark.

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Island City To Deliver Williams’ Summer, Ludlam, Premiere

Island City Stage celebrates its tenth season with the anticipated Tennessee Williams’ Suddenly, Last Summer sidelined by the pandemic, plus a world premiere, a Charles Ludlam classic, a return of an earlier success and a contemporary play described as “an unflinching portrait of being Black and gay in America today.”

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Island City Stage Dives Deep Into Current Racial Divide

In an exceedingly timely appearance, Island City Stage mounts a scathing production mirroring current tumult about race in America — a taut, intense, drama The Niceties.

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Island City’s “Compensation” Pregnant With Potential

Every emotion associated with pregnancy and pending parenthood is present in the 95 minutes of Hannah Manikowski’s smart and promising play Compensation. In fact, most of them appear on the playbill cover photo for Island City Stage’s world-premiere production, an image that encapsulates the disconnected expectations that propel the drama.

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2020 SoFla Theater: What A Long Strange Trip It’s Been

A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.

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Imagination, Determination Mark SoFla Theaters’ Varied Efforts To “Re-Open” — In A Way

Drive-in theater, theater behind storefront glass, podcasts: In spurts over 7 months, South Florida theater artists have been preparing experiments online and live, for free, for pay or donations. As many are coming into view this fall, they are coalescing into a new if temporary paradigm that holds out hope for the survival of the genre.

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Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART TWO: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

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Act Two For SoFla Theater: A 2-Part Portrait One Month In

PART ONE: One month into the nation-wide shutdown of live communal theater due to COVID-19, South Florida companies, like those in so many other regions, are trying to write Act Two with little clue how Act Three will play out. In this first of two parts, leaders from local companies and venues a limn this tale of confident hope and chilling fear, cold balance sheets with seven digits in the red, and blue sky imagining what theater will look like in two, three, 18 months.

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“I’m Still Here” SoFla Theaters Say, But What Will ‘Here’ Be?

In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.

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Island City’s Satirical Musical Altar Boyz Is A Grin-Fest Hoot

Franklin Graham, the homophobic alt-right son of Billy Graham, just finished a revival tour of Florida this weekend. Too bad he didn’t attend the revival of the musical Altar Boyz at Island City Stage that energetically, if gently, teases boy bands and evangelistic Christian pop rock by infusing a decidedly gay undercurrent. It would have driven him crazy.

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