Tag Archives: City Theatre
Other than two crippling developments, South Florida theater 2019 was marked by a wide array of what seemed like points on a volatile stock market chart marking the ebb and flow of an evolving arts community. Welcome to our annual idiosyncratic highly-subjective look back on the year.
City Theatre’s production of The Cake, about a baker who refuses to make a cake for a lesbian couple, digs deep below stereotypes to examine the contemporary clash between sincerely held principles that threaten to cripple relationships among people who care for one another – or at least have to live in the same world.
Alright ladies and gentlemen, boys and girls, she’s and he’s, and those who would prefer not to self-identify, Thinking Cap Theatre and City Theatre’s summer short play fest, She Shorts is for you, so that means everybody.
This 24th annual Summer Shorts festival of short plays scores as the most consistent, polished and satisfying work beginning to end that City Theatre has produced in recent seasons.
Much like the holiday season itself, there are things to endure and other instances that are jolly. That’s the mixed bag of City Theatre’s Winter Shorts now playing at the Carnival Studio Theater at the Adrienne Arsht Center for the Performing Arts.
For some who view two-part events on Broadway and five-hour epic tragedies as the height of the theatrical form, the 10-minute play is condescendingly tolerated as the poor relation at the arts table. But not in Miami. City Theatre, a home-grown company created by three colleagues around a kitchen table 23 years ago, has become the leading purveyor of short-form theatre in the country.
Some South Florida theaters are scrapping some of what they plan to put on stage this season or next. Some are leaving support positions unfilled. Some plan smaller cast shows. Some have sidelined plans for growth. Theaters are scrambling to cope with an unexpected 90 percent slash in state funding. But theater champions vow to fight back by organizing patrons and leading citizens to influence lawmakers.
No one could accuse the cast of Shorts Gone Wild 6 of being low energy. They spend the production’s interstitial moments cartwheeling, performing splits, engaging in slapdash chicken dances, telling jokes, winking through bawdy double entendres. But most of the plays are less memorable than their spirited introductions.
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
In a move that will spread the brand of Miami-based City Theatre around the world, the company begins this month producing collections of its short plays on Azamara Club Cruises luxury ships. The effort to maximize the extended use of its huge catalog of 10-minute plays represents what City Theatre sees a new producing prototype not just for itself but the theater industry.