Tag Archives: GableStage
A different season advance: Quietly, oh so quietly, the 2016-2017 theater season in South Florida is shaping up to be as notable for tidal growth, contraction, ebb and flow as it is for the actual productions scheduled.
These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons. The list is woefully incomplete, likely with major but unintentional omissions.
Okay, yes, Hand to God has cute obscenity-spouting puppets having sex on stage, but the similarities to Avenue Q stops dead right there. This scorchingly funny and aggressively irreverent play at GableStage is a pitch black comedy about using the fiction of religion to rationalize and excuse the baser natural instincts of Mankind.
GableStage’s Stalking the Bogeyman, a true life tale of sexual abuse and revenge, stands out for its intelligence, bravery, sobriety and sheer darkness Buoyed by the raw sting of truth that great nonfiction provides, Bogeyman is more than a play. It’s a public service.
GableStage has produced a version Terrrence McNally’s satire about theater, It’s Only A Play, that is funnier and has far more heart than the Broadway edition.
Like a spinning gem with an infinite number of glittering facets, GableStage’s kaleidoscopic production of Constellations is an outstanding achievement in playwriting, direction and some of the most skilled acting you may see this season.
Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.
South Florida theaters still mount familiar warhorses, but the 2015-2016 season is proof that companies realize the future of theater is to attract pre-retirement audiences with shows steaming fresh out of Manhattan, edgy intellectually challenging works, imaginative takes on familiar titles, regional premieres of shows you only read about in The New York Times over the past few years and some shows you have never heard of, period.
Awash in issues of Arab-American assimilation and Anglo antipathy, GableStage’s Disgraced is the classic contemporary example of the topical, thought-provoking drama that forces you to revalidate, even reexamine your perception of the tumult around us.
Harvey Fierstein’s thought-provoking Casa Valentina play at GableStage explores is that sexuality as an infinitely varied stew of preferences, prejudices and other ingredients in varied measures