Tag Archives: GableStage
White Guy on the Bus at GableStage is a merciless dissection of race relations in the 21st Century, but stunning plot twists prevent us from explaining much further than a wealthy white businessman strikes up an acquaintanceship with an African-American nursing student on a bus. But superb performances and a fierce script make this a don’t miss.
Human beings’ desperate need for affirmation of their self-worth from some source outside themselves – whether it’s from a parent or strangers’ judgments – drives GableStage’s scorching production of Halley Feiffer’s I’m Going To Pray For You So Hard.
Lots of News: Summer Fest, Charlie Cinnamon, Dramaworks, GableStage, MNM, Stage Door, Spotlight On the Arts & More
Tons of news about South Florida Theatre League, MNM Theatre Company, GableStage, Palm Beach Dramworks, Spotlight on the Arts, Earl Maulding, Actors Playhouse, Broward Stage Door, Lightning Bolt Productions, Theatre Lab, Matt Stabile
At some workplaces, employees indulge in healthy rivalry, support each other professionally and personally and, sometimes, forge deep friendships that last long after the job has ended. That is not the kind of environment the editorial assistants toil in the caustically dark dramatic comedy Gloria, getting a whip-smart production at GableStage.
Raging family dysfunction played against an equally volatile backdrop of social upheaval makes for two seemingly separate but brilliantly acted and directed plays united in GableStage’s production of If I Forget — the emotional equivalent of a skiff tossed about in a raging tempest in the middle of a wintry ocean.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
News about benefit concert for ailing choreographer Ben Solmor, another public hearing on the Coconut Grove Playhouse set for Thursday, and Andrews Living Arts closes
A genial older woman with a warm smile, a self-deprecating charm and a cute mittel-European accent via Brooklyn greets the audience to her apartment like new neighbors. While packing for a move, she tells the story of her life in vignettes marked by humor and pathos. The narrator providing such good company is the titular heroine of Becoming Dr. Ruth, a one-woman bio-play.
GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.
In what is believed to be a groundbreaking move, Palm Beach Dramaworks and GableStage plan a co-production of the acclaimed Broadway play Indecent to be next fall.