Tag Archives: GableStage
In-depth report: Sets still standing on stages are silent pledges that these productions and theater itself in South Florida will resume – albeit in what many believe will be a different world. But what that cultural world will look like for audiences and artists could not be more uncertain, say theater professionals who have had to rethink and rethink again their plans. It’s different from when other disasters have struck Florida like hurricanes; this one may be open-ended.
Other than two crippling developments, South Florida theater 2019 was marked by a wide array of what seemed like points on a volatile stock market chart marking the ebb and flow of an evolving arts community. Welcome to our annual idiosyncratic highly-subjective look back on the year.
As the writer with 28 best-selling mystery novels, James Grippando is usually focused on whodunits. But the Florida author is about to see the world premiere of his first playscript, Watson, at GableStage this weekend – as much a howdunit and whydunit about technology, capitalism and responsibility.
Lots of news about Palm Beach Dramaworks’ new play festival, Lois Pope teams up with Jan McArt, Playgroup LLC to close, fundraisers for Slow Burn, GableStage and Insight for the Blind
Over and over, Simon Wiesenthal’s words spoken in a biographical play written a decade ago based on a man who died 14 year ago, words about events that occurred more than 75 years ago, those words are as vibrant and relevant a direct undiluted challenge to the audience at GableStage in 2019 as anything heard this season in a political rally or debate
Amid a constellation of superb theater from GableStage comes a supernova of passion, pain and socio-political protest in a scorching drama Skeleton Crew. Its portrayal of African-American workers in a Detroit auto plant teetering on closing incisively examines racial issues that intensify impending tragedy, but also a world evaporating under our feet whuch crosses all demographic boundaries.
Few plays have been as ruthlessly photographic depicting the pornographic incest of lobbying and corruption as well as the clash of idealism and pragmatism as Sarah Burgess’ Kings, currently on the dissection tray at GableStage.
Miami-Dade County’s current plan to resurrect the Coconut Grove Playhouse was dealt what may be a fatal blow Friday when City of Miami Mayor Francis Suarez vetoed the project primarily on historic preservation grounds. Suarez said he hoped that the county was willing to collaborate with the city on a compromised phased-in full renovation and restoration of the iconic theater.
The 13-year journey to resurrect the fabled Coconut Grove Playhouse squeaked by what may have been the last serious roadblock Wednesday when the Miami City Commission voted 3-2 to overturn objections from its Historic Preservation advisory board.. But there is one last hurdle: Mayor Francis Suarez procedurally has the power to veto the decision until 4:30 p.m. Monday, May 20th.
How do you review a play without spoilers when perception-changing revelations occur every few minutes including one halfway through that shoves the play in a 90-degree angle? Just trust us that GableStage’s The Children – eco-thriller, horror story, tale of domestic trouble, and a half dozen other themes – is a stunning experience melding playwriting, direction and acting.