Tag Archives: Giancarlo Rodaz
A nerdy teenager struggling with being an outsider takes a pill with a dangerous computer that advises him on dealing with high school hell in Area Stage Company’s intriguing but flawed sci-fi fantasy musical Be More Chill which has been a huge hit with the target peer group.
Young, visionary director Giancarlo Rodaz’s winning approach in Area Stage Company’s current unorthodox, yet triumphant production of the classic musical Annie features eight adult actors playing all roles in a stripped down environment in the round.
For its next professional production, South Miami’s Area Stage Company promises the musical Annie “like you’ve never seen before” later this month. It’s set in a speakeasy, has eight adult actors doubling and tripling parts, Miss Hannigan is a man in drag — and there are no children.
Area Stage revives its imaginative 2018 production of Shrek the Musical as conceived, directed and designed by Giancarlo Rodaz, but with mostly new cast members, on an outdoor stage near its new home at a shopping center.
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
Giancarlo Rodaz of Area Stage Company and Rachel Dean have turned their still-evolving musical The Ballad of Janis Matthews & The Dodo Scouts into a podcast.
If Area Stage Company’s world premiere production of Peter x Wendy documents anything, it’s that Giancarlo Rodaz is the Orson Welles-like wunderkind of South Florida theater. It is a testament to the wildly inventive and stylistic virtuosity of Rodaz as playwright, director, sound designer, lighting designer, set designer, costumer designer, composer and even playing the guitar live offstage.
Area Stage Company’s Matilda is not really a children’s musical, although children will have a fine time when they are not storing up nightmarish images for future midnights. Matilda’s witty lyrics, satirical jibes and a multi-level script with psychological overtones are really aimed at those parents bringing their children.
Hearing that Area Stage Company is mounting The Wizard of Oz might make childless theatergoers pass. It would be their loss. Director Giancarlo Rodaz, his inexhaustible cast and creative crew have constructed a charming, witty and entertaining riff whose sterling quality is how they resourcefully solve staging problems that otherwise would require a far bigger budget.
She Kills Monsters is a dramatic comedy given an inventive and enthusiastic production by Area Stage Company — a show proudly described as “theater for nerds,” or more accurately, for young adults raised on video games who have infused their fantasy life into every cranny not reluctantly committed to jobs, family and responsibilities in general.