Tag Archives: Actors Playhouse
The Timekeepers, a harrowing drama mounted on a tiny stage by a company only in its second season, swept six of its six nominations including best play at the 38th Carbonell Awards Monday night. Those wins, along with a best director award for the fledgling Slow Burn Theatre Company’s musical next to normal, was greeted as a sign that young theaters could make inroads in a program dominated by a handful of venerable and well-funded troupes.
Like the rest of the country, South Florida theater took tentative steps throughout 2013, banking on the promise of a recovering economy and a durable demand for art. Evidence was visible across the three counties: theaters mostly opening not closing, established companies moving into new venues, young companies finding audiences, runs extended, a continued commitment to riskier experiments .
As certain as mistletoe and Auld Lang Syne are top ten lists from arts critics. These are the shows that spoke to me personally and professionally, the ones I’d want to see again.
Sometime after more than 400 performances, Wayne LeGette lost track of how often he had appeared in the enduring musical about relationships I Love You, You’re Perfect, Now Change. Whatever the figure was, the odometer is about to roll over this month.
Put Actors’ Playhouse production of Making God Laugh pretty much in the insightful column. Playwright Sean Grennan uses our recognition of the laughter and pain common to most familial relationships and uses it as a building block in his farcical comedy that transmutes into poignant drama.
There may be 12 days of Christmas, eight days of Hannukah and seven days of Kwanzaa, but there are 31 days of theater in South Florida underscored by the coming week in which at least 11 shows are opening in addition to at least 11 already open and at least seven more opening later.
Encouraging trends emerge while poking among the entrails of the new season schedules for South Florida theater. Among them: an emphasis on new and newer works as producers and artistic directors try to seduce younger audiences, meaning people under 70.
So this is just a baker’s dozen that I personally rate as the most intriguing, promising or unarguably important opportunities to be entertained or moved by in the coming 2013-2014 season. But no refunds. No razzing a year from now, “What were you thinking?”
Teenagers may hold the survival secrets for South Florida theaters to build a crucial new generation of patrons. Students say they seek theater that is relevant, affordable, accessible, less elitist, touching the head and the heart, marketed through cyber-word of mouth, and pumped with sensory candy. Above all, their interest has to be stimulated as early as elementary school.
Rated P For Parenthood at Actors Playhouse is a 90-minute hoot that bowed off-Broadway last year strings together almost 30 vignettes that chronologically trace the joys and absurdities of raising a child from conception to empty nesting.