Tag Archives: Actors Playhouse

Letter From Bill Hirschman To Stephen Sondheim: Come On Down To Visit Actors’ Playhouse

The Actors’ Playhouse production of Sondheim On Sondheim transcends the Broadway edition in nearly every detail. The work by eight inspired performers and the band, molded by director David Arisco and musical director David Nagy, would make the master proud.

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Next Season: Slow Burn, Actors’ Playhouse, Thinking Cap, Wick, Maltz, Lake Worth, PPTOPA, Bway At Brow Ctr & Kravis

If it’s snowing up north, then it’s time for Florida theaters to announce their 2016-2017 seasons. Among those that have: Slow Burn Theatre Company, Actors’ Playhouse, Thinking Cap Theatre, The Wick Theatre, Maltz Jupiter Theatre, Lake Worth Playhouse, Pembroke Pines Theater of the Performing Arts, Broadway in Fort Lauderdale and Kravis on Broadway.

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Looking Back At South Florida Theater’s 2015: Taking Chances Financially And Artistically

2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.

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Not Your Grandma’s Theater: The 2015-2016 Season In SoFla

South Florida theaters still mount familiar warhorses, but the 2015-2016 season is proof that companies realize the future of theater is to attract pre-retirement audiences with shows steaming fresh out of Manhattan, edgy intellectually challenging works, imaginative takes on familiar titles, regional premieres of shows you only read about in The New York Times over the past few years and some shows you have never heard of, period.

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The Coming South Florida Theater Season Is As Much About Where As What

Usually there isn’t anything sexy or newsworthy about real estate in the world of theater unless it’s Glengarry Glen Ross. But as the season approaches, South Florida hasn’t seen so much packing and unpacking, opening tubes of Ben Gay, filling out of change-of-address cards, remodeling, scanning blueprints and updating websites as in the past season and the one coming up

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15 Best Bets That We Want To See In The Coming Season

In chronological order, here is a highly subjective, personal list of the shows whose titles or concepts we most want to see this season.

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So Hemingway, Fitzgerald, Zelda, Picasso, Tallulah And Gertrude Stein Walk Into A Bar….

Scott and Hem, an imagined reunion of Fitzgerald and Hemingway, is half comprised of deadly accurate insights into the angst of creative souls; the other half is just deadly dumps of name-dropping and exposition. A talented cast and director struggle to make the play at Actors Playhouse land solidly, and sometimes they succeed, but not always.

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Another Openin’ Another Show, Another Openin’ Another Show, And Another Openin’ Another….

The snowbirds have gone home, but South Florida theater never seems to go dark these days. This year-round trend has never been clearer than right now with a calendar is jammed with an overwhelming cornucopia of options over the next two or three weeks. Here’s an incomplete overview:

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Newcomers Share Carbonell Bounty With Major Companies

The Timekeepers, a harrowing drama mounted on a tiny stage by a company only in its second season, swept six of its six nominations including best play at the 38th Carbonell Awards Monday night. Those wins, along with a best director award for the fledgling Slow Burn Theatre Company’s musical next to normal, was greeted as a sign that young theaters could make inroads in a program dominated by a handful of venerable and well-funded troupes.

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Year In Review: Encouraging Signs As Theaters Bet On Recovering Economy

Like the rest of the country, South Florida theater took tentative steps throughout 2013, banking on the promise of a recovering economy and a durable demand for art. Evidence was visible across the three counties: theaters mostly opening not closing, established companies moving into new venues, young companies finding audiences, runs extended, a continued commitment to riskier experiments .

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