Tag Archives: New City Players
Theater Cues & News: Matilda Jr., New City Reading, A New Patsy, Moving Measure, Theatre Lab Experiments, Traffic Woes
News of Broward Center & local students create Matilda Jr., New City Players seeks feedback on new play, Wick extends and gets new Patsy Cline, TCG brings 1,000 artists to Miami, Measure for Measure gets new home, Theatre Lab to have longer runs
Attention to detail in each element of New City Players’ Raisin in the Sun makes it truly spectacular on every level, and that especially goes for the directing and the acting.
It’s almost paternalistic to praise New City Players as one of the gutsiest theaters in the region. But with its carefully-wrought and moving production of Constellations, the Players have outgrown the well-meant but limited expectations that arts patrons have of a so-called “fledgling theater.”
In the lovely confines of The Vanguard, Yasmin Reza’s modern classic Art comes to life in New City Players’ finely curated production.
Produced competently, with flashes of brilliance, by New City Players at the Vanguard, Clybourne Park’s expose of the evolving presentation of white privilege over generations has lost some of its structural novelty, observational luster and ability to shock in the seven years since its regional premiere at the Caldwell
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
If you know where to look, certainly you can find reliable warhorse titles in the upcoming theater season in South Florida, but it’s easier to find vibrant, contemporary and challenging offerings.
An explosion of passionate performances (and flying silverware) mark New City Players’ production of the late Sam Shepard’s True West.
Merriment is a word we don’t use much in the 21st Century, but that is the precise adjective to reflect the madcap abandon, tireless physical comedy and unflagging enthusiasm that makes a success of New City Players’ edition of Twelfth Night.
The wobbly foundations of fledgling New City Players’ production of David Auburn’s reliable Proof are unlikely to impress seasoned theatergoers, especially those who have seen the play before. From questionable acting choices to frantically paced direction, this Proof only conveys the broad strokes in Auburn’s filial drama.