Tag Archives: Zoetic Stage
Once Again Garcia Scores With Comic Cuban Chicken Soup
Cuban Chicken Soup: When There’s No More Café is a ‘Grand Slam with yuca’ thanks to the sparkling performance of Elena Maria Garcia. The one-woman play at Zoetic Stage is a sequel to 2016’s ¡Fuacata! Or a Latina’s Guide to Surviving the Universe written by Garcia and Stuart Meltzer. The play runs a little over ninety minutes but feels more like a thirty-minute sitcom.
Zoetic’s Cabaret a game changer
By Oline Cogdill When the John Kander/Fred Ebb musical Cabaret opened on Broadway in 1966, it was a gamechanger in its staging, tone and story. Certainly, other musicals tackled politics in specific eras—such as Sound of Music (1959) and …
Zoetic Stage presents Wicked Child
By Oline H. Cogdill Family get-togethers can be fraught with underlying disagreements, resentments augmented by past histories. But in the case of the extended family in Zoetic Stage’s solid production of the intelligent Wicked Child, it is love and respect …
Clyde’s launches Zoetic Stage’s 14th season
By Oline H. Cogdill A sandwich is more than ingredients between two slices of bread at Clyde’s, the truck stop diner that is the setting and title of Lynn Nottage’s deliciously insightful play now receiving a superb production at Zoetic …
Zoetic Stage’s #Graced Is Quirky Road Trip To Define America
Zoetic Stage’s #Graced is an episodic road trip veering all over the place in a theatrically metaphorical jalopy bouncing along on a journey for its protagonists to discover who they are personally and what America is in the 21st Century.
Like the Country It Unravels, ‘American Rhapsody is Complicated, Ambitious & Flawed
American Rhapsody, Michael McKeever’s sprawling premiere at Zoetic Stage, is a history play, a bildungsroman, a tribute to fluid families, a cautionary tale about where the zeitgeist might be headed. It spans more than 60 years and feels, perhaps like the American experiment itself.
Sensory-Rich, Physicalized Production of Mlima’s Tale
Zoetic Stage’s Mlima’s Tale is a theatrically-lush indictment of illegal ivory trafficking and shared responsibility for the slaughter of animals, not so much for the artistic trinkets that result, but for human greed. Imagine a Discovery Channel documentary dramatically told as a fever dream awash in lights, sound, music and movement.
Dark, Funny Rollercoaster Ride Through Adolescence In Zoetic’s Our Dear Dead Drug Lord
Miami native Alexis Scheer’s Our Dear Dead Drug Lord, a stygian dark and terribly funny play about modern day adolescence executed by Zoetic Stage, is a stunning – a carefully chosen word – piece of pure theater. A scene can be downright hilarious then suddenly blood-chilling, and then, as the blood is still chilling, there are laugh lines.