Tag Archives: Zoetic Stage
Maybe it’s walking under a Times Square marquee with his name emblazoned overhead. Maybe it’s being asked for his autograph at the stage door. Some new level of realization keeps hitting Christopher Demos-Brown on the cusp of becoming one of the first South Florida playwrights to have a work on Broadway when American Son opens Nov. 4.
In Zoetic Stage’s premiere Dracula, the vampire is a sexist pig (as are several men in the play). The protagonists are strong-willed proto-feminists. Together, they embody a society struggling with re-envisioning what self-empowered women can and should be. Michael McKeever’s script as directed by Stuart Meltzer presents social commentary told with droll, wry and self-aware humor, and the retelling of the classic horror narrative.
When Elena Maria Garcia, one of the finest comediennes in the region, and Stuart Meltzer, one of the finest directors, team up to co-write Fuácata! (Or a Latina’s Guide to Surviving the Universe) at Zoetic Stage, it’s cause for celebration.
The stirring musical Fun Home is a detective story in which the mystery is never solved, but the investigator comes to terms with the existence of the enigma. What Zoetic Stage’s triumphant production does better than the Tony-winning production is its depiction of the unalloyed joy and bottomless agony of discovery in that journey.
Dancing Lessons is punctuated with interpersonal strife, frustration, heartache and some very funny moments. But mostly Zoetic Stage’s production is a warm quiet sustained smile for a warm quiet early spring night.
They are unlike any trials you have ever seen on Law & Order. Zoetic Stage’s world premiere of Christopher Demos-Brown’s Wrongful Death And Other Circus Acts is a hilarious but merciless satire on the civil legal profession by, indeed, setting the evening in and as a highly stylized circus.
Christopher Demos-Brown has a world premiere Friday of Wrongful Death And Other Circus Acts at Zoetic Stage, but his play American Son is slated to open on Broadway in November.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
The cat and mouse game in Zoetic Stage’s Topdog/Underdog moves as swiftly and cunningly as the two characters’ dexterity in the shell game, which in this case is three-card monte, a street hustle card con. This is already one of those must-sees.
If you know where to look, certainly you can find reliable warhorse titles in the upcoming theater season in South Florida, but it’s easier to find vibrant, contemporary and challenging offerings.