Tag Archives: Zoetic Stage

McKeever/Zoetic’s ‘After,’ GableStage’s ‘Royale’ Top Winners At 41st Carbonells

Michael McKeever, a beloved and prolific figure in local theater, set a record Monday when he won his eighth Best New Work at Monday’s Carbonell Awards for the scorching drama After, but he was unable to accept the honor personally because he was in New York City the night before the opening of his play Daniel’s Husband, which won the same prize last year.

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Whatever It Means, Zoetic Stage Delivers Bravura Edition Of Harold Pinter’s The Caretaker

Zoetic Stage’s brilliantly-executed bravura production of Harold Pinter’s 1960 The Caretaker may be as baffling as Waiting For Godot. But every element of this comic drama is superb from acting that embraces Pinter’s notorious silences to the fluid staging to the evocative set design to the transcendent lighting.

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Fuacata!: Zoetic Stage’s Hilarious And Touching Journey Through Miami-Dade’s Latina Culture

When Elena Maria Garcia, one of the finest comediennes in the region, and Stuart Meltzer, one of the finest directors, team up to co-write Fuácata! (Or a Latina’s Guide to Surviving the Universe) at Zoetic Stage, it’s cause for celebration.

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Zoetic’s Shimmering Sunday Explores Conflict Between Artists’ Calling And ‘Real Life’

A wave of sheer glory lifts the audience into a firmament of validation, redemption and pure beauty in the last ten minutes of Zoetic Stage’s production of the Stephen Sondheim-James Lapine masterpiece Sunday in the Park with George.

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Zoetic Stage Debuts Premiere of McKeever’s Emotion-Filled After

There’s something thrilling about seeing a world premiere play unfold. And when the playwright is one of South Florida’s great hopes to get an original play to the Great White Way, there’s even more of excitement to see his latest work.
That was the energy that prevailed over the production of Michael McKeever’s After at Zoetic Stage.

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Hirschman’s Solely Subjective Summation Of Shows That Shouldn’t Be Missed 2016-17

These are not at all necessarily what we predict will be the best shows this season (although they may be) or the best attended or the most popular or the most award-winning. We don’t care. These are the shows we most want to see for a variety of reasons. The list is woefully incomplete, likely with major but unintentional omissions.

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Free Show Monday Of Snips Of Censored Plays & Musicals

What do Cabaret, Chicago, Fun Home, Almost Maine and Angels in America have in common? Somebody somewhere has banned their production at some point. To push back, Zoetic Stage and the Dramatists’ Guild Legal Defense Fund with the Adrienne Arsht Center is producing a free staged reading of Banned Together: A Censorship Cabaret at 7 p.m. Monday at the Carnival Studio Theater at the Arsht Center.

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Arsht Kicks Off Cultural Season With Day-Long Celebration

This year, Sept. 10 might just mark the unofficial kickoff to the season, at least for Miamians when the Arsht will present its second-annual ARTSLAUNCH2016, a festive daylong confab at all six of the venue’s spaces plus the parking lot and surrounding area.

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Sondheim’s Swelling Passion Explores Nature Of True Love

To say that Sondheim’s Passion is not to every intelligent patron’s taste is an understatement. But if you can open yourself up to it, Zoetic Stage’s production is a transcendent work of performance art with the power to rip into your psyche and reaffirm the transformative power of love.

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What Happens When You Get What You Asked For: Zoetic Stage’s Rapture, Blister, Burn

Gina Gionfriddo’s Rapture, Blister, Burn is rooted in an wry examination of post-feminism. But Zoetic Stage’s finely wrought comedy-drama goes much farther and deeper in examining the complex interrelationship of dreams, choices, responsibilities and consequences applicable to human beings of all sexes.

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