Tag Archives: Michael Gioia
Dynamic All My Sons Charts Domestic Descent Into Tragedy
What New City Players’ ensemble achieves in its dynamic production of Arthur Miller’s classic All My Sons is making totally believable the slow descent from the warmth of family gatherings to explosions of pessimistic rage and sorrow, The Kellers harbor a secret rooted in the abandonment of taking responsibility for their actions as a web of lies infects hope for the future.
Peck to Direct Arthur Miller’s All My Sons at New City Players
It is safe to say that South Florida theater artist and educator Jason Peck knows Arthur Miller’s masterpiece, All My Sons. “I’ve read the play close to 100 times by now,” Peck notes. He’s about to direct it for the fourth time at New City Players
Sweet Goats & Blueberry Señoritas a Tasty Debut at Actors Playhouse
By Raquel V. Reyes Richard Blanco’s and Vanessa Garcias’ Sweet Goats & Blueberry Señoritas is steeped in Cubanisms that will delight Miami audiences. The 90-minute play runs through Dec. 3rd at Actor’s Playhouse at the Miricale Theatre in Coral Gables. …
NCP’s Little Montgomery Morphs From Cute Comedy To Exam of the Human Comedy
New City Players’ Little Montgomery starts as a satisfyingly cute summer chuckle of a comedy, but morphs into a deeper examination of human beings struggling awkwardly to cope with the word “family.”
Theatre Lab’s Refuge Examines Immigration Through Mysticism, Magic and Theatricality
Embracing the eloquence of imaginative theatricality, Theatre Lab’s Refuge depicts a deeply moving journey through the immigration crisis viewed not as a political issue, but a complex human one. It melds music, drama, humor, puppetry, and speeches in Spanish, resulting in a campfire story told through magical realism and mysticism.
Unrequited Yearning For Dreams Deferred In Grand Horizons
Boca Stage’s Grand Horizons has A-list cast for an unusual mélange of considerable domestic comedy intersecting with serious themes about aging, dreams deferred and unrequited yearning.
City Theatre’s The Cake Honestly Explores Multiple Layers Of Current Controversy
City Theatre’s production of The Cake, about a baker who refuses to make a cake for a lesbian couple, digs deep below stereotypes to examine the contemporary clash between sincerely held principles that threaten to cripple relationships among people who care for one another – or at least have to live in the same world.
Theatre Lab’s Quiet Muted ‘Harlowe:’ Healing And Feeling
Theatre Lab’s world premiere of Jennifer Lane’s Harlowe is indeed quiet, muted, dense. The titular heroine, who is coping with the emotional and literal scars from some horrific attack, can no longer feel anything, psychologically or physically. The writing, the direction and the acting all are commendable, but it’s a quirky sui generis piece that is hard to plug into emotionally.
Thinking Cap’s Emperor of the Moon Is Delightful Lune-acy
With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.
Raucous ‘Women In Assembly’ Reflects An Unique Vision
Thinking Cap’s world premiere, Women In Assembly, is a satirical comedy credited to Aristophanes but transmuted into a bawdy irreverent satire about Greek women taking over government and reshaping it to their saner philosophies. It’s awash in inventive staging and the cast’s energy, but the riffs go on long after the underlying point is made.
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