Tag Archives: Timothy Mark Davis

Irreconcilable Viewpoints Clash In Outre’s The Christians

All too apropos for our bitterly divided time, Outré Theatre Company’s intellectually stimulating production of Lucas Hnath’s The Christians asks what happens when two sincerely held but diametrically opposed viewpoints inescapably clash.

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Not Just For Kids, Theatre Lab’s Initial Family-Friendly Ronia Elevates And Inspires

Ronia, the Robber’s Daughter — the first offering of Theatre Lab’s family-friendly series — satisfies the parameters of youth theatre but with a pedigree that transcends its genre, a production bristles with imagination, wit and pathos that resonate across all generations.

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Starry Night In New City Players’ Transcendent Constellations

It’s almost paternalistic to praise New City Players as one of the gutsiest theaters in the region. But with its carefully-wrought and moving production of Constellations, the Players have outgrown the well-meant but limited expectations that arts patrons have of a so-called “fledgling theater.”

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New City Players Paint Perfect Work Of ‘Art’ At Vanguard

In the lovely confines of The Vanguard, Yasmin Reza’s modern classic Art comes to life in New City Players’ finely curated production.

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Thinking Cap’s Emperor of the Moon Is Delightful Lune-acy

With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.

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New City Players’ Uneven, Occasionally Brilliant Clybourne Park is Not Black & White

Produced competently, with flashes of brilliance, by New City Players at the Vanguard, Clybourne Park’s expose of the evolving presentation of white privilege over generations has lost some of its structural novelty, observational luster and ability to shock in the seven years since its regional premiere at the Caldwell

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Sam Shepard’s True West Explodes At New City Players

An explosion of passionate performances (and flying silverware) mark New City Players’ production of the late Sam Shepard’s True West.

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In New City Players’ Proof, The Numbers Don’t Quite Add Up

The wobbly foundations of fledgling New City Players’ production of David Auburn’s reliable Proof are unlikely to impress seasoned theatergoers, especially those who have seen the play before. From questionable acting choices to frantically paced direction, this Proof only conveys the broad strokes in Auburn’s filial drama.

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Flawed Glass Menagerie Shows Promise For New City Players

New City Players’ The Glass Menagerie starts a bit sluggishly, suffers throughout from some debatable technical decisions, and some performances are more compelling than others. But it builds in polish and power until it produces a second act that consistently makes you glad you invested an evening.

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