Tag Archives: Timothy Mark Davis
Slow Burn’s Bodyguard Musical Is A Welcome Surprise
It’s not necessary to be a fan of Whitney Houston’s music, or the film to enjoy The Bodyguard the Musical, wrapping up Slow Burn Theatre Co.’s fifteenth season, proving that just about anything can be made into a musical,, and a real audience pleaser from the get-go.
Dynamic All My Sons Charts Domestic Descent Into Tragedy
What New City Players’ ensemble achieves in its dynamic production of Arthur Miller’s classic All My Sons is making totally believable the slow descent from the warmth of family gatherings to explosions of pessimistic rage and sorrow, The Kellers harbor a secret rooted in the abandonment of taking responsibility for their actions as a web of lies infects hope for the future.
Peck to Direct Arthur Miller’s All My Sons at New City Players
It is safe to say that South Florida theater artist and educator Jason Peck knows Arthur Miller’s masterpiece, All My Sons. “I’ve read the play close to 100 times by now,” Peck notes. He’s about to direct it for the fourth time at New City Players
New City Players Tackles a ‘Magical’ Streetcar Named Desire
By Aaron Krause “South Florida is going to really sink its teeth into something that is going to be magical, musical, and monumental,” award-winning South Florida director Stuart Meltzer enthuses. And New City Players’ (NCP) Producing Artistic Director Tim …
New City Players’ A Blast From The Past in A Christmas Carol: A Live Radio Play
By Britin Haller Is there any literary character portrayed more than Ebenezer Scrooge? There are, but not many. The miserly grinch has been interpreted over many decades in myriad incarnations. But his message itself is simple and may be summed …
NCP’s Little Montgomery Morphs From Cute Comedy To Exam of the Human Comedy
New City Players’ Little Montgomery starts as a satisfyingly cute summer chuckle of a comedy, but morphs into a deeper examination of human beings struggling awkwardly to cope with the word “family.”
New City Players’ It’s A Wonderful Life Is Indeed
In the 21st Century, the adjective “merry” has fallen out of use except in conjunction with a holiday. But “merry” is precisely the right word to describe the brew of warmth and humor in New City Players’ smile of a production in It’s A Wonderful Life. While staged as a radio play, this production involves three-dimensional acting by five real-life performers who portray the 50 or so characters.
Post-Partum Woes Turn to Madness in Theatre Lab’s Bow Overactive Letdown
Buckle up if you’re attending the world premiere run of Overactive Letdown at Theatre Lab as a new mother spirals out of control in a harrowing descent into madness. Crumbling under the post-partum pressures of caring for an infant, aggravated by today’s tsunami of parenting dictates, our heroine Christine’s considerable intelligence, humor and charm evaporate.
Rx: The Cure For What Ails You
For older audiences who see the number of expensive pills they take each morning magically multiply over the years, the wicked satire of Big Pharma in the otherwise romantic comedy Rx is welcomed at Boca Stage. But as cutting as Rx can be (one dotty scientist says “If I knew what we were doing, it wouldn’t be called research”) the Rx that playwright Kate Fodor prescribes for the modern malaise is, yes, love.
Zoetic Sweeps Online Carbonell Gala With Focus On Diversity
The 44th Carbonell Awards celebration was unique, not simply because it was online, but because of its acknowledgement of the diversity of the theater community. Honoring excellence for 2019, the awards, which have been quietly accused of not reflecting diversity, pointedly went out of its way to be inclusive in its annual celebration.
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