Tag Archives: Carlos Alayeto
Like the Country It Unravels, ‘American Rhapsody is Complicated, Ambitious & Flawed
American Rhapsody, Michael McKeever’s sprawling premiere at Zoetic Stage, is a history play, a bildungsroman, a tribute to fluid families, a cautionary tale about where the zeitgeist might be headed. It spans more than 60 years and feels, perhaps like the American experiment itself.
New City Players’ It’s A Wonderful Life Is Indeed
In the 21st Century, the adjective “merry” has fallen out of use except in conjunction with a holiday. But “merry” is precisely the right word to describe the brew of warmth and humor in New City Players’ smile of a production in It’s A Wonderful Life. While staged as a radio play, this production involves three-dimensional acting by five real-life performers who portray the 50 or so characters.
Despite The 10-Foot Star, ‘Mastodon’ Not Just Child’s Play
Yes, there is broad humor, over-the-top characters, cartoonish sets, a fairy tale vibe and a 10-foot tall puppet, but Theatre Lab makes it clear that Rachel Teagle’s world premiere script of The Impracticality of Modern-Day Mastodons is not children’s theater, but an adult evaluation of dreams.
Thinking Cap’s King Lear Is A Study In Imagination
Peter Wayne Galman in Thinking Cap Theatre’s production is a likeable Lear. He’s also narcissistic, ego-centric, driven, demanding, confused, playful and timeless. It helps that Galman delivers William Shakespeare’s poetry like the masters – think Ian McKellen, Sir John Gielgud. There isn’t a word that isn’t sacrosanct. He relishes the work, and, in turn, audiences will, too.
Thinking Cap’s Emperor of the Moon Is Delightful Lune-acy
With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.
Raucous ‘Women In Assembly’ Reflects An Unique Vision
Thinking Cap’s world premiere, Women In Assembly, is a satirical comedy credited to Aristophanes but transmuted into a bawdy irreverent satire about Greek women taking over government and reshaping it to their saner philosophies. It’s awash in inventive staging and the cast’s energy, but the riffs go on long after the underlying point is made.
Alliance’s Aliens Is Alienating, But For Those Who Embrace It, It’s New Theater at Its Best
For those among us who enjoy going deeper than what’s presented on the surface, Annie Baker’s The Aliens from Alliance Theatre will be a treat. For others, the silences and pacing will be an exercise in head scratching and perplexed moments in the space of two hours of WTF?