Tag Archives: Carlos Alayeto

Thinking Cap’s King Lear Is A Study In Imagination

Peter Wayne Galman in Thinking Cap Theatre’s production is a likeable Lear. He’s also narcissistic, ego-centric, driven, demanding, confused, playful and timeless. It helps that Galman delivers William Shakespeare’s poetry like the masters – think Ian McKellen, Sir John Gielgud. There isn’t a word that isn’t sacrosanct. He relishes the work, and, in turn, audiences will, too.

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Thinking Cap’s Emperor of the Moon Is Delightful Lune-acy

With a cast of unfettered and inspired clowns, Thinking Cap Theatre has produced a hilarious edition of a 1687 comedy by Aphra Benn, The Emperor of the Moon, lathering almost every second of this commedia dell’arte farce with a humor encyclopedia’s worth of sight gags, comic timing, verbal delivery, bathroom humor and endless physical schtick — all delivered at a lickety-split pace by a comically nimble troupe.

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Raucous ‘Women In Assembly’ Reflects An Unique Vision

Thinking Cap’s world premiere, Women In Assembly, is a satirical comedy credited to Aristophanes but transmuted into a bawdy irreverent satire about Greek women taking over government and reshaping it to their saner philosophies. It’s awash in inventive staging and the cast’s energy, but the riffs go on long after the underlying point is made.

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Alliance’s Aliens Is Alienating, But For Those Who Embrace It, It’s New Theater at Its Best

For those among us who enjoy going deeper than what’s presented on the surface, Annie Baker’s The Aliens from Alliance Theatre will be a treat. For others, the silences and pacing will be an exercise in head scratching and perplexed moments in the space of two hours of WTF?

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