Tag Archives: Chris Anthony Ferrer
City Theatre’s Summer Shorts vibrates with the unique distinctive essence that exceeds traditional adjectives and can best be captured in the word “Miami.” Indeed, the production is subtitled “Homegrown Edition,” but the venerable company has committed for the first time to brand new works exclusively written by, directed by and acted by BIPOC/LatinX artists who reflect the region’s multi-culturalism.
Zoetic Stage’s #Graced is an episodic road trip veering all over the place in a theatrically metaphorical jalopy bouncing along on a journey for its protagonists to discover who they are personally and what America is in the 21st Century.
A tattoo of a sea serpent is playwright Lucas Hnath’s damning metaphor for the grip of ambition to the point that betrayal of anyone is an accepted expedient in the scathing Red Speedo from producer Ronnie Larsen at The Foundry. Using competitive sports as a milieu, Hnath depicts people willing to violate moral codes and personal loyalties in pursuit of the American Dream — as ingrained today as it was when Arthur Miller decried it in 1949.
Jeff Talbott’s The Submission, enjoying its regional premiere from Island City Stage, is predicated on the realization that “Everyone’s a little bit racist.” It charts the ignition of a racial flashpoint in the theater world over the span of a year, as liberal creative types are forced to confront long-dormant prejudices.