Tag Archives: Alex Alvarez

Motel Stories Is Multilayered Tribute to North Beach

Don’t say we didn’t warn you: If you purchase a ticket to the fourth and latest iteration of Miami Motel Stories, you will be put to work. You may have to repair a costume, or apply an actor’s nail polish, or shine a pair of shoes.

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Death Looking Over Your Shoulder Is Gentle Comedy

How we deal specifically with the inevitability of death, whether we let it inhibit us or inspire us, is at the heart of Michael McKeever’s comic fantasy Charlie Cox Runs With Scissors now enjoying a wryly funny production from the West Boca Theatre Company.

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The Past Is Present At Island City Stage’s From White Plains

From White Plains at Island City Stage is ostensibly about bullying and responsibility, but it’s really about something simpler and deeper: The past owns us.

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GableStage Mounts Its Unique Passionate Take On Indecent

GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.

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This Season’s Winter Shorts Is A Mixed Bag At City Theatre

Much like the holiday season itself, there are things to endure and other instances that are jolly. That’s the mixed bag of City Theatre’s Winter Shorts now playing at the Carnival Studio Theater at the Adrienne Arsht Center for the Performing Arts.

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Miami’s Shorts Is Once Again A Welcome Summer Cooler

They make it look so easy.

The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.

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Winter Shorts: Welcome Holiday Warmth Against The Chill

Over 21 years, City Theatre’s ever-expanding enterprises have developed and maintained a brand-level reputation for entertaining theater; its return to cool weather programming with the current edition of Winter Shorts is just as diverting.

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A Fraying Promise Exposed In GableStage’s The Humans

GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.

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In Goldberg Variations, Traumatic Family Gathering Becomes Re-enactors’ Playhouse

The stage is a fungible place. Sets can transform, actors can fly, characters can break walls, especially the fourth. There is limitless potential in the blank canvas of floorboards and lighting, as Stuart Meltzer’s gently experimental The Goldberg Variations reminds us at Island City Stage.

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Dry Powder Paints Merciless Portrait Of The Conscienceless

Dry Powder, GableStage’s excoriating tour that delves into the barren ethical landscape of big business is an unsparing drama whose copious humor comes from one character’s blithely limitless ability to do anything to maximize the bottom line with absolutely no concern for the human cost of her proposals.

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