Performances
Wonderettes Entertain With Blasts From The Past
If you dream of reliving your high school prom, Pompano Players can help you approximate the experience. The new theater company invites audiences to attend the Springfield High School Class of 1958 prom — the setting for the 1999 jukebox musical The Marvellous Wonderettes, by Roger Bean.
GableStage’s Penetrating Harry Clarke Asks Us Who We Are
The answer to the question posed by the title character of who is “Harry Clarke?” is to us, of course, who are we individuals in the audience. With considerable humor, banked anger and penetrating insight, the powerful 80-minute monologue Harry Clark at GableStage depicts how we choose and craft an identity separate from whatever is our true inner self.
The Spitfire Grill Is Rewarding Evening Of Joy And Hope
Profound joy, infectious joy, genuine joy emerging out of prosaic life, out of darkness, out of life-scraped people, that joy in musical theater is rare and precious. Arguably nowhere can audiences mesh with the expert evocation of joy and hope than in Actors’ Playhouse’s glorious The Spitfire Grill.
New City Players’ The 39 Steps Revels In Wicked Lampoon
Comic theater is a challengingly adroit meld of wry humor, physical slapstick, verbal timing, invisible stagecraft and a devotion to maximizing the opportunities for unscripted bits of business. All of this is delivered with an infectious joy in New City Players’ rendition of the ever-reliable The 39 Steps.
Wide Ranging Quality of Absurdist ‘Art Duty’ Requires Audience’s Commitment
Art Duty, a work passionately delivered with brimming enthusiasm by the LakeHouseRanchDotPng troupe in Miami Lakes, appears to be – at least in this subjective assessment – intermittently insightful and vague, deliberate and manic, entertaining and frustratingly undisciplined.
Plenty of Scares For The Whole Family At Heebie Jeebies
Halloween season is full of tricks and treats, and do we have a treat for you and the Theatre Lab at the Heckscher Theatre comes a spooky and witty anthology play that’s sure to give you the, dare we say it, heebie jeebies.
Latiné Theater Lab’s Last of the Red Hot Robots Is Immersive Comedy
The world premiere of Brian Harris’s comic Last of the Red Hot Robots, Latiné Theater Lab doubles down on their signature style. Billed once again as an immersive, multi-sensory experience, the production bombards the senses with flashing lights, blaring sound effects, and kaleidoscopic visuals.
For Better (But Not) Worse ‘At The Wedding’ on Island City
Anyone who has been invited to, and maybe even attended, the wedding of an ex-love knows how emotional and triggering the event might be. And therein is where the comedy lies in Island City Stage’s At The Wedding
Torch Song Is Not What We Expected At Plays of Wilton
Fair warning to anyone going to The Foundry for Harvey Fierstein’s Torch Song because they want to see a play about a drag queen. Other than the lead works in drag for a living, but he could just as easily be a server, or a sales clerk, or a teacher, as is his on-again, off-again boyfriend. As it turns out, that’s the point. More on this later.
ASC’s Immersive Tarzan Musical Surrounds You In The Jungle
Area Stage Company’s (production is not your childhood Tarzan. Yet it is still the story and music you know and love. This gripping immersive staging surrounds you with the world of the show. The result is a visceral experience that reimagines the jungle not just as a set, but as a space you physically inhabit.
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