Tag Archives: Andy Rogow
The stage is a fungible place. Sets can transform, actors can fly, characters can break walls, especially the fourth. There is limitless potential in the blank canvas of floorboards and lighting, as Stuart Meltzer’s gently experimental The Goldberg Variations reminds us at Island City Stage.
Some directors say if you cast a show well, you’re more than halfway home to a successful production. So while the acting is just barely adequate in Broward Stage Door’s The Most Happy Fella, have they ever casted the voices beautifully and that makes for some stirring satisfying moments well worth the ticket.
When Topher Payne’s Perfect Arrangement bowed in 2013, the satirical indictment of homophobia, hypocrisy and a half-dozen other themes was a witty and insightful commentary. In the context of last week’s election, Island City Stage’s production is a terrifying reminder of the dangers of navigating a repressive culture through submissive accommodation.
Political satire is like the finest champagne – delectable at the time but going flat with age. But in the meantime, as Shorts Gone Wild 4 (subtitled Decision 2016: It’s Gonna Be Yuuuuuge!) underscores, what a terrific way to blow off angst over today’s polarized landscape.
Feeding The Bear, a serio-comedy focused on caring for a father succumbing to Alzheimer’s (featuring a drag queen with a cooking TV show), has all the necessary ingredients for a tasty confection, but this work in progress hasn’t yet found the culinary magic to be a fully satisfying dish.
Charm, that most underrated of quiet virtues in a theater of brassy belters and in-your-face spectacle, suffuses the vagaries of a 24-year love affair in Broward Stage Door’s appealing revival of the gentle Same Time, Next Year.
Island City Stage gives the first full performance of Michael Leeds’ Who Killed Joan Crawford, a comedy mystery about male friends invited to a birthday party dressed as Crawford characters.
Break out the martinis. It isn’t perfect, but it’s still a helluva lot of fun
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.
If the context of the eight sketches in Shorts Gone Wild 3 is primarily gay-centric, the material and performances have markedly improved year after year until it has reached a high-water mark in the series’ quality.