Tag Archives: Andy Rogow
Presidential Politics Make Shorts Gone Wild Even Wilder
Political satire is like the finest champagne – delectable at the time but going flat with age. But in the meantime, as Shorts Gone Wild 4 (subtitled Decision 2016: It’s Gonna Be Yuuuuuge!) underscores, what a terrific way to blow off angst over today’s polarized landscape.
Feeding The Bear Has Promise, But It Needs More Feeding
Feeding The Bear, a serio-comedy focused on caring for a father succumbing to Alzheimer’s (featuring a drag queen with a cooking TV show), has all the necessary ingredients for a tasty confection, but this work in progress hasn’t yet found the culinary magic to be a fully satisfying dish.
Island City Stage’s ‘Joan Crawford’ Cranks Up The Camp
Island City Stage gives the first full performance of Michael Leeds’ Who Killed Joan Crawford, a comedy mystery about male friends invited to a birthday party dressed as Crawford characters.
Break out the martinis. It isn’t perfect, but it’s still a helluva lot of fun
Shorts Gone Wild Is Rainbow Of Gay-Themed Plays For Everyone
If the context of the eight sketches in Shorts Gone Wild 3 is primarily gay-centric, the material and performances have markedly improved year after year until it has reached a high-water mark in the series’ quality.
Island City Stage Challenges With Gripping Octopus
Sartre’s existentialism tips the iceberg of what Steve Yockey’s play Octopus takes on in its oddly dark comic and tumultuous story. . While it may leave some scratching their heads, there’s no doubt that what’s emerged is gripping good theater at Island City Stage.
Shorts Gone Wild 2: More About Relationships Than Risque
So the Cowardly Lion walks into a gay bar…. That premise pretty reliably lets you know that you must be watching the new edition of Shorts Gone Wild 2, the mildly risqué festival of short plays with a LGBT underpinning.
Island City Stage’s The Pride Joins Worlds Apart Eras With Skillful Perfection
Island City Stage’s production of the thought-provoking The Pride understands the beauty and depth of this remarkable play —and, done right here, makes us question our history, both individually and collectively.
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