Tag Archives: Andy Rogow
Island City Stage’s production of the thought-provoking The Pride understands the beauty and depth of this remarkable play —and, done right here, makes us question our history, both individually and collectively.
If you missed Island City Stage’s Timekeepers last October, the company plans to team up with the West Boca Theatre Company to remount the show around the end of this calendar year and run three weeks into 2015 at the Levis Jewish Community Center.
It is wonderful to see creativity in approaching a work that isn’t usually staged; the bad news is, when it doesn’t come together, all of the inventiveness is lost. Such is the case with The Plaza Theatre’s mounting of Rags.
Few Broadway shows can equal the track record of 1986’s Rags: closed after four performances, rewritten, remounted, rewritten again. There are at least 10 scripts. But something about the drama about immigrants on the Lower East Side keeps artists and audiences coming back. And now, Rags has been overhauled for a run at The Plaza Theatre in Manalapan.
As the season heats up, we enter a period with many openings in the same week. That means reviews will only be in the top four positions for four or five days. To see earlier reviews, check out the red …
It’s hard to do Neil Simon well. The Plaza Theatre in Manalapan does not fall into that trap. They do Neil Simon very, very well. Earlier this year the Plaza produced a fine Chapter Two, and now they’ve raised the Simon bar with their current show, Brighton Beach Memoirs.
Shorts Gone Wild is pretty tame stuff for South Florida, but this outing of light comedies with a live-and-let-live LGBT message is more consistently entertaining than some of City Theatre’s earlier forays into an alternative adults-only version of its venerable Summer Shorts program.
There’s certainly an appetite for WaistWatchers: The Musical — a show for the ladies who lunch as a girl’s day (or night) out, which would account for one-quarter of Sunday’s audience being made up of women’s groups at the Plaza Theatre in Manalapan. (The Grove Women’s Club and Lexington Ladies were in the house at this particular Sunday matinee.)
For a comedy about the magical transformation of man into a pig and how that opens up his lover’s ability to commit to true love, there’s plenty of laughs but not a lot of magic in Pig Tale, An Urban Faerie Story, now being presented by Island City Stage and Empire Stage
Island City Stage’s The Twentieth Century Way is an intellectual theater game worthy of Pirandello or Stoppard in which facets swirl at such a dizzying speed that individual ideas become too blurry to discern.All you can do is admire the chameleonic agility of the actors, the dexterity of the playwright and watch a particle of light careen around the mirrored facets inside a gem, unable to track what is happening more than fleeting seconds.