Tag Archives: Hannah Benitez
GableStage’s rendering of Paula Vogel’s Indecent is freshly distinctive from Rebecca Taichman’s New York staging and from the rapturously received version that Palm Beach Dramaworks delivered last season. It’s not better or worse; it is its own. And its quality takes a back seat to no one.
The stirring musical Fun Home is a detective story in which the mystery is never solved, but the investigator comes to terms with the existence of the enigma. What Zoetic Stage’s triumphant production does better than the Tony-winning production is its depiction of the unalloyed joy and bottomless agony of discovery in that journey.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
One of the joys of seeing local theater over the years is charting a new theater’s growth and promise. But it’s rare to see a fledgling theater develop so quickly as Main Street Players, as evidenced by its no-excuses-needed production of Bad Jews.
By Hap Erstein In the same way that Slow Burn Theatre Company’s artistic director Patrick Fitzwater has a good eye for spotting performance talent, he also is savvy at identifying worthy new composers and lyricists. Sometimes, however, his ability to …
The central tenets of Baruch de Spinoza’s rationalist ethos are explored exhaustively and exhaustingly in GableStage’s intriguing production of David Ives’ New Jerusalem which surely counts as the textbook definition of “thought-provoking theater.
As far as large-scale Broadway musicals, Ragtime stands as Actors’ finest mainstream work ever, as accessible and satisfying as it is passionate and thoughtful. Anyone who cares about musical theater, or theater in general, should make a special effort to see this production.