Tag Archives: Gregg Weiner
This 24th annual Summer Shorts festival of short plays scores as the most consistent, polished and satisfying work beginning to end that City Theatre has produced in recent seasons.
The premise of Every Brilliant Thing might fool you into thinking that it’s kin to a “very special” Lifetime Movie of the Week: a boy tries to ease the pain of his suicidal mother and his own anxiety by making a list of “brilliant” things and leaving them for his mother to find. But themes hide just under the wry and warm exterior: highlighting aspects of life that can be beautiful and sustaining, as well as the damage that depression can wreak on an entire family.
So…what do Carl Perkins, Johnny Cash, Elvis Presley and Jerry Lee Lewis have in store for an encore in Actors’ Playhouse at the Miracle Theatre’s much-anticipated return engagement of Million Dollar Quartet? The foursome has re-created sounds that seem more crisp and controlled, without losing the vibrancy and electricity audiences ate up during the 2016 production.
Edgar & Emily, the premiere at Palm Beach Dramaworks, is a fascinating and funny fantasia about Edgar Allan Poe visiting Emily Dickinson late one night dragging his coffin behind him. Joseph McDonough’s wry play examines sensitive introspective artists’ challenge to be fully alive in the ever-present shadow of death – an evening laced with copious quips and witty banter.
Emily Dickinson is huddling in her bed when Edgar Allen Poe barges into her bedroom pulling his coffin behind him. This is even stranger than it sounds since Poe is believed to have died about 15 years earlier. Such is opening of the world premiere, Edgar and Emily, opening this weekend at Palm Beach Dramaworks.
Raging family dysfunction played against an equally volatile backdrop of social upheaval makes for two seemingly separate but brilliantly acted and directed plays united in GableStage’s production of If I Forget — the emotional equivalent of a skiff tossed about in a raging tempest in the middle of a wintry ocean.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
City Theatre’s production of Building the Wall opens with audio of then-candidate Donald Trump spewing some of his more incendiary anti-immigration rhetoric. The first line has yet to be spoken, and already you can feel your blood pressure start to rise.
Gregg Weiner captures the audience in Ground Up and Rising’s bare bones production of Conor McPherson’s monologue The Good Thief at South Miami-
Dade Cultural Arts Center
In a chilly sleek courtroom as clinical as a laboratory dissection tray, thousands of human lives, morality, principles and the law are piled on opposite pans of the scale – except it’s not blind justice holding the scales, but we in the audience in Miami New Drama’s intellectually-challenging courtroom drama Terror, having its American premiere.