Tag Archives: Gregg Weiner
Put Actors’ Playhouse production of Making God Laugh pretty much in the insightful column. Playwright Sean Grennan uses our recognition of the laughter and pain common to most familial relationships and uses it as a building block in his farcical comedy that transmutes into poignant drama.
If you wonder what theater was like back when it was as popular as film and far more influential than the upstart television, you can see a prime example in the Maltz Jupiter Theatre’s time machine production of the 1952 potboiler Dial M For Murder.
Playwright Jessica Farr and director Paul Tei create a fever dream in Mad Cat Theatre Company’s Blow Me, depicting a tragic death spiral, relieved by copious droll dancing-at-your-funeral epigrams tossed off by Blow and her coterie like a latter day Algonquin Round Table, featuring a bravura performance by Erin Joy Schmidt.
At The Plaza The Plaza Theatre in Manalapan will inaugurate Fresh Pages, a series of staged readings of new and unpublished scripts, at 7:30 p.m. Monday, April 29, with the new comedy Can I Really Date a Guy Who Wears …
Editor, consultant and fashion icon Isabella Blow lived a tumultuous life that encompassed trend-setting style, two marriages plagued by infertility, championing designers like Alexander McQueen who then left her behind, coping with her brother’s drowning, battling ovarian cancer, trying electro-shock therapy to counteract depression and attempting suicide several times. So, of course, Mad Cat Theatre Company is turning her life into an entry in the annual South Beach Comedy Festival for two shows on Wednesday, April 17.
The Carbonell Awards ceremony falls on April Fools’ Day (restrain your quips), But that also means it’s time for the annual grousing column about nominations.That said, I wish the judges had the ability to expand the list of nominees by one or two slots at will. So here is my personal “Youze wuz robbed” list.
Eighteen Silver Palm Awards honoring theatrical excellence in South Florida during the 2011-2012 season will be presented Dec. 3, as well as two Remy Awards from the South Florida Theatre League.
A colleague recently referred to Gregg Weiner as South Florida’s Gene Hackman – always working, highly-respected, focused, intense, funny, an actor who brings a character actor’s technique to leading man parts. Little do they know about his history with puppets, karaoke and perhaps a blow-up doll. Weiner is usually physically recognizable in a role but convincingly inhabits a wide variety of parts from a troubled spouse in Fifty Words to a corporate suit in TV’s Magic City to a sleazy wrestling promoter in The Elaborate Entrance of Chad Deity. This weekend, Weiner closes a run as a pragmatic lawyer in GableStage’s Race, the fourth role he has done for director Joe Adler this season.
Lawyers banter about innocence and justice in David Mamet’s incendiary play at GableStage, but the characters don’t bother to dissect long-decided issues about how the judicial system’s sausage is made. The title of the play and the real subject is Race. The double-helix construction of the twisting dialogue underscores Mamet’s thesis that bogus baggage of race relations subverts any meaningful discussion of seemingly straight ahead subjects as innocence and justice.
Donald Margulies’ drama Time Stands Still which enjoys a solid production at GableStage is not a thrilling or enthralling production; it’s one that keeps you thinking long after the lights come back up about whether we are jettisoning our responsibility as human beings to, first, feel something and, second, act on it.