Tag Archives: Gregg Weiner

Hot Button Issues Dissected In GableStage’s Fine Disgraced

Awash in issues of Arab-American assimilation and Anglo antipathy, GableStage’s Disgraced is the classic contemporary example of the topical, thought-provoking drama that forces you to revalidate, even reexamine your perception of the tumult around us.

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Intriguing Thought-Provoking Look At The Nature Of God On GableStage’s New Jerusalem

The central tenets of Baruch de Spinoza’s rationalist ethos are explored exhaustively and exhaustingly in GableStage’s intriguing production of David Ives’ New Jerusalem which surely counts as the textbook definition of “thought-provoking theater.

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Miami Theater Center Delivers A Modern Day ‘Hedda Gabler’

After a half-century of sympathetic portraits of Hedda Gabler as a woman suffocating in a sexist societal straightjacket, Miami Theater Center gives us a cool, manipulative, self-centered creature whose primary complaint is she’s bored.

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Strange Bedfellows: Hedda Gabler and The Seven Year Itch At Miami Theater Center

The magic of serendipity: It’s difficult to imagine — without being boxed into it as Miami Theater Company was — how an artistic director would thematically put together a season encompassing Hedda Gabler and The Seven Year Itch.

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GableStage’s The Whale Is A Shattering Paean To Human Decency And Hope

Samuel D. Hunter’s The Whale at GableStage focuses on a morbidly obese man wanting to reconnect with his abandoned daughter before his imminent death. But the darkly funny and affecting play — awash in profanity, cynicism, alienation and fatalism — reveals itself to be about hope rooted in the innate decency inside scalded souls.

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How To Gain 600 Pounds In Five Minutes: Gablestage’s The Whale

A five-foot tall assembly of beige bags hangs in the corner of Gablestage’s cramped communal dressing room, vaguely shaped like a tan version of the marshmallow monster from Ghostbusters. No one has yet christened this fat suit created for The Whale, but even without actor Gregg Weiner inside it, it feels like it’s a character.

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So Hemingway, Fitzgerald, Zelda, Picasso, Tallulah And Gertrude Stein Walk Into A Bar….

Scott and Hem, an imagined reunion of Fitzgerald and Hemingway, is half comprised of deadly accurate insights into the angst of creative souls; the other half is just deadly dumps of name-dropping and exposition. A talented cast and director struggle to make the play at Actors Playhouse land solidly, and sometimes they succeed, but not always.

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Another Openin’ Another Show, Another Openin’ Another Show, And Another Openin’ Another….

The snowbirds have gone home, but South Florida theater never seems to go dark these days. This year-round trend has never been clearer than right now with a calendar is jammed with an overwhelming cornucopia of options over the next two or three weeks. Here’s an incomplete overview:

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Heirs Behaving Badly: Dividing The Estate May Be Familiar

Plenty of laughter greets every witticism and absurdity in Palm Beach Dramaworks’ production of Dividing The Estate, Horton Foote’s acidic depiction of greed, jealousy and family. But through the laughter, you either silently thank God you don’t know these people or you curse fate that they are way too familiar.

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Home For The Holidays: Comedy In Making God Laugh Morphs Into Poignancy At Playhouse

Put Actors’ Playhouse production of Making God Laugh pretty much in the insightful column. Playwright Sean Grennan uses our recognition of the laughter and pain common to most familial relationships and uses it as a building block in his farcical comedy that transmutes into poignant drama.

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