Tag Archives: Stephen G. Anthony
The Vision Is The Star In Highly Theatrical Curious Incident
Usually, Zoetic Stage’s director Stuart Meltzer’s deft work is almost invisible to audience members other than bringing a fresh vision to familiar titles. But his masterful work in The Curious Incident of the Dog in the Night-time is so clearly displayed that his reinvention becomes the “star” of the production.
Dry Powder Paints Merciless Portrait Of The Conscienceless
Dry Powder, GableStage’s excoriating tour that delves into the barren ethical landscape of big business is an unsparing drama whose copious humor comes from one character’s blithely limitless ability to do anything to maximize the bottom line with absolutely no concern for the human cost of her proposals.
Zoetic’s Shimmering Sunday Explores Conflict Between Artists’ Calling And ‘Real Life’
A wave of sheer glory lifts the audience into a firmament of validation, redemption and pure beauty in the last ten minutes of Zoetic Stage’s production of the Stephen Sondheim-James Lapine masterpiece Sunday in the Park with George.
Hand To God Explores Man’s Baser Nature With Pitch Black Comedy — And Puppets
Okay, yes, Hand to God has cute obscenity-spouting puppets having sex on stage, but the similarities to Avenue Q stops dead right there. This scorchingly funny and aggressively irreverent play at GableStage is a pitch black comedy about using the fiction of religion to rationalize and excuse the baser natural instincts of Mankind.
Sondheim’s Swelling Passion Explores Nature Of True Love
To say that Sondheim’s Passion is not to every intelligent patron’s taste is an understatement. But if you can open yourself up to it, Zoetic Stage’s production is a transcendent work of performance art with the power to rip into your psyche and reaffirm the transformative power of love.
Intriguing Thought-Provoking Look At The Nature Of God On GableStage’s New Jerusalem
The central tenets of Baruch de Spinoza’s rationalist ethos are explored exhaustively and exhaustingly in GableStage’s intriguing production of David Ives’ New Jerusalem which surely counts as the textbook definition of “thought-provoking theater.
Mad Cat’s Deconstructed Spin On Simon’s Star Spangled Girl Is Off-Beat Mash-Up, Natch
Mad Cat Theatre’s daffy deconstruction of a 1966 Neil Simon The Star Spangled Girl elicited plenty of laughs, but the schizophrenic clashing of styles didn’t land as strongly as anyone hoped
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