Tag Archives: Elizabeth Dimon
Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
Actor’s Playhouse at the Miracle Theatre’s production of ,Miracle on South Division Street has all the makings to become a perennial holiday comedy favorite.
For such a seemingly simple play, Our Town requires the audience to generously invest their attention and imagination. Thornton Wilder’s classic only works when its visitors travel more than halfway there. But for those willing to make that journey, the gossamer delicate play can vibrate the heartstrings and the synapses.
Efforts by City Theatre staffers to improve the consistency of its offerings has paid off: This edition of Summer Shorts is not only lushly and imaginatively produced with a noticeable extra bit of polish, but is more consistently funny and entertaining than any edition in recent memory.
Plenty of laughter greets every witticism and absurdity in Palm Beach Dramaworks’ production of Dividing The Estate, Horton Foote’s acidic depiction of greed, jealousy and family. But through the laughter, you either silently thank God you don’t know these people or you curse fate that they are way too familiar.
Daniel Maté holds up a mirror so we can examine ourselves in his new musical The Longing and The Short Of It at the Theatre at Arts Garage. But his vision has such incisive clarity that he is more a chronicler whose work decades hence will enable our descendants to see how we lived in the early part of the 21st Century.
Cut through the South Boston accents and into the fibers of Good People, and you’ll find that David Lindsay-Abaire’s 2011 Tony nominee is a character study of the finest sort. However, the fact that the lead character, Margie has remained in South Boston’s Lower End should not be understated — this attachment to one’s childhood roots is what forms the foundation of Good People, now at Gablestage.
The word “hilarious” rarely applies to a bleak unblinking play about mortality, but Palm Beach Dramawork’s superb production of Eugene Ionesco’s Exit The King earns it, along with “profoundly thought-provoking” and other accolades. Simply, it ranks among the best work that the company has mounted in its 13 seasons.
A couple of off-beat repostings for the holidays: Playbill.com posted 50 Iphone photographs taken of or by Janet Dacal of her homecoming to Miami as she rehearsed for Actors Playhouse’s The Last Five Years which runs through next weekend. Click …
We’re entering another period of as many as six productions opening in one week. As a result, reviews may not remain in the center featured position more than one day. Please check out recent reviews by clicking on entries listed …