Tag Archives: Elizabeth Dimon

A Fraying Promise Exposed In GableStage’s The Humans

GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.

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Riverside Theatre Building Its Own Housing For Visiting Artists

The Riverside Theatre in Vero Beach has come up with a solution—build its own housing for professionals which has become a major expense for many theaters.

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GableStage’s Informed Consent: Is The Search For Truth Paramount? And Whose Truth?

Is knowledge always good? Is its pursuit inherently defensible regardless of the consequences? Is there Absolute Truth?These and another half-dozen ideas careen and crisscross GableStage like electrons colliding in a chain reaction in Deborah Zoe Laufer’s Informed Consent.

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It’s A Hard-Knock Life Between The Laughs In Inishmaan

Palm Beach Dramaworks’ team finds the special vibe of Martin McDonagh’s dark comedy set in an unforgiving climate of the heart in The Cripple of Inishmaan.

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Stand Up, Wick Theatre’s Guys And Dolls Is Rockin’ The House

One quiet fear of frequent theatergoers is that some well-meaning troupe will bungle a piece they love and override precious memories with mediocrity. Well, breathe easier. The Wick Theatre’s rendition of Guys and Dolls, widely considered one of the best musical comedies ever written, is as buoyant and spirited a triumph as a fan could wish.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Chekhov’s Sisters Waiting To Exhale In Beckett’s New Jersey

Deborah Zoe Laufer’s world premiere The Three Sisters of Weekhawken is, indeed, funny in its daffy way, but this imaginative mashup of Chekhov’s meditation on yearning refracted through Beckett’s existentialism and a shred of Neil Simon has a serious and eventually moving moral about the perils of paralyzing procrastination.

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Music Is The New Element In City Theatre’s Summer Shorts

Hardly unusual in musical theater, Meredith Bartmon strolls around the Carnival Studio stage singing passionately about her dreams and, later, her refusal to compromise those dreams. But this isn’t a two-and-half-hour epic on a national tour; this is one of nine 10-minute playlets in City Theatre’s 21st edition of Summer Shorts.

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Annual Summer Shorts Will Feature The Sound of Music

The ever-developing Summer Shorts Festival, now entering its 21st year in Miami, will sound a bit different this year: two of the ten-minute works will be musicals.

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Maltz’s Reimagined Billy Elliot Flies Like The Spirit Of Its Hero

The Maltz Jupiter Theatre has successfully re-imagined Billy Eliot the Musical into winning edition that is more effective than the national company that toured South Florida a few seasons back.

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