Tag Archives: Elizabeth Dimon
GableStage’s co-production with Palm Beach Dramaworks of the world premiere of Ordinary Americans traces TV icon Gertrude Berg as she battles blacklisting, featuring stellar performance by Elizabeth Dimon.
The world premiere of Joseph McDonough’s Ordinary Americans needs more work but it has enough promise and fine performances at Palm Beach Dramaworks that it’s worth the effort. The story of indomitable broadcast icon Gertrude Berg fighting the plague of the blacklist in the 1950s carries a clear warning to audiences today.
Awe is not a quality you usually hear in the voices of theater pros when they describe the central character in a work. But that is the sense listening to director William Hayes, playwright Joseph McDonough and actress Elizabeth Dimon talking about Gertrude Berg, the heroine of their world premiere this month, Ordinary Americans at Palm Beach Dramaworks.
The House of Blue Leaves gets as funny and touching a production from Palm Beach Dramaworks as anyone can ask for. Its virtues include superb direction, a flawless creative team and a wall-to-wall cast of actor-clowns willing to bury themselves inside the off-kilter and flawed characters.
GableStage’s Admissions is one of the more uncomfortable evenings of theater that avowed liberals and proud progressives will sit through any time soon. It holds up an unsparing mirror that asks whether such advocates will stay true to their ideals when the consequences directly affect them and their families.
They make it look so easy.
The 23rd annual City Theatre Summer Shorts crew slip seamlessly from broad comedy with a hint of a moral to bittersweet drama with a soupcon of dry wit and back again in nine separate playlets.
Life is all about attitude and how you perceive what you encounter, whether it be a stack of garbage or a deadly disease, in Be Here Now, Deborah Zoe Laufer’s life-affirming, funny and touching new play.
Theatre Lab, has mounted a production of the engrossing, taut, yet layered piece for which it can be proud.
Maltz Jupiter Theatre’s An Inspector Calls focuses with laser intent on what the evolving socialist J.B. Priestley saw as its thematic marrow — all individuals have an inescapable responsibility for the well-being of every other human being, and that privileged classes seem obscenely inured to that duty.
Most Wanted starts out like one of those wacky only-in-Florida tales, but as Peter Sagal’s world premiere at Theatre Lab, evolves the weirdness gives way to poignancy that eclipses the humor and reveals the heartfelt message.
GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.