Tag Archives: Elizabeth Dimon
A raft of country classics are interspersed in this clear-eyed yet affectionate bio-musical Hank Williams: Lost Highway at Actors Playhouse tracking the rise and collapse of the music legend.
Bruce Graham’s world premiere The Duration developed at Palm Beach Dramaworks is an intellectually and emotionally powerful drama rooted deep in a post 9/11 world, but also in a timeless inquiry into how human beings cope with limitless tragedy. It asks who we are – and the answers suggest upsetting revelations about dealing with grief, prejudice, fear and anger.
Lots of news here as the theater season heats. Memorial set for Joe Adler; Over the long weekend of Nov. 10-14, there are TEN shows opening across the region and four will still be running: dramas, comedies, musicals, professional companies, a national tour, community theater and children’s theater. Check out the calendar at floridatheateronstage.com.
A look back at 2020: Yes, South Florida theater was crippled by the pandemic. But its acolytes remained driven to express their artistry, and patrons remained ravenous for their work. They continued to explore projects, create avenues and seek paychecks with efforts ranged from filmed full-fledged productions to monologues newly penned in bedrooms.
Six months into the pandemic, theater artists are struggling with a profoundly damaging dimension particular to their purgatory-like limbo: The calling that gives their lives meaning requires interaction with other people in the same room. Late this summer, 33 South Florida storytellers agreed to draw back the curtain on their backstage battles that form the spine of an all too real three-act drama.
GableStage’s co-production with Palm Beach Dramaworks of the world premiere of Ordinary Americans traces TV icon Gertrude Berg as she battles blacklisting, featuring stellar performance by Elizabeth Dimon.
The world premiere of Joseph McDonough’s Ordinary Americans needs more work but it has enough promise and fine performances at Palm Beach Dramaworks that it’s worth the effort. The story of indomitable broadcast icon Gertrude Berg fighting the plague of the blacklist in the 1950s carries a clear warning to audiences today.
Awe is not a quality you usually hear in the voices of theater pros when they describe the central character in a work. But that is the sense listening to director William Hayes, playwright Joseph McDonough and actress Elizabeth Dimon talking about Gertrude Berg, the heroine of their world premiere this month, Ordinary Americans at Palm Beach Dramaworks.
The House of Blue Leaves gets as funny and touching a production from Palm Beach Dramaworks as anyone can ask for. Its virtues include superb direction, a flawless creative team and a wall-to-wall cast of actor-clowns willing to bury themselves inside the off-kilter and flawed characters.
GableStage’s Admissions is one of the more uncomfortable evenings of theater that avowed liberals and proud progressives will sit through any time soon. It holds up an unsparing mirror that asks whether such advocates will stay true to their ideals when the consequences directly affect them and their families.