Tag Archives: Elizabeth Dimon

Be Here Now Is Engrossing Experience, Skillfully Staged, Acted By Theatre Lab

Life is all about attitude and how you perceive what you encounter, whether it be a stack of garbage or a deadly disease, in Be Here Now, Deborah Zoe Laufer’s life-affirming, funny and touching new play.
Theatre Lab, has mounted a production of the engrossing, taut, yet layered piece for which it can be proud.

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Maltz’s An Inspector Calls Demands Mutual Responsibility

Maltz Jupiter Theatre’s An Inspector Calls focuses with laser intent on what the evolving socialist J.B. Priestley saw as its thematic marrow — all individuals have an inescapable responsibility for the well-being of every other human being, and that privileged classes seem obscenely inured to that duty.

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Florida Road Trip Weaves From Off-Beat To Poignant In Peter Sagal’s Most Wanted

Most Wanted starts out like one of those wacky only-in-Florida tales, but as Peter Sagal’s world premiere at Theatre Lab, evolves the weirdness gives way to poignancy that eclipses the humor and reveals the heartfelt message.

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A Fraying Promise Exposed In GableStage’s The Humans

GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.

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Riverside Theatre Building Its Own Housing For Visiting Artists

The Riverside Theatre in Vero Beach has come up with a solution—build its own housing for professionals which has become a major expense for many theaters.

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GableStage’s Informed Consent: Is The Search For Truth Paramount? And Whose Truth?

Is knowledge always good? Is its pursuit inherently defensible regardless of the consequences? Is there Absolute Truth?These and another half-dozen ideas careen and crisscross GableStage like electrons colliding in a chain reaction in Deborah Zoe Laufer’s Informed Consent.

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It’s A Hard-Knock Life Between The Laughs In Inishmaan

Palm Beach Dramaworks’ team finds the special vibe of Martin McDonagh’s dark comedy set in an unforgiving climate of the heart in The Cripple of Inishmaan.

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Stand Up, Wick Theatre’s Guys And Dolls Is Rockin’ The House

One quiet fear of frequent theatergoers is that some well-meaning troupe will bungle a piece they love and override precious memories with mediocrity. Well, breathe easier. The Wick Theatre’s rendition of Guys and Dolls, widely considered one of the best musical comedies ever written, is as buoyant and spirited a triumph as a fan could wish.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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Chekhov’s Sisters Waiting To Exhale In Beckett’s New Jersey

Deborah Zoe Laufer’s world premiere The Three Sisters of Weekhawken is, indeed, funny in its daffy way, but this imaginative mashup of Chekhov’s meditation on yearning refracted through Beckett’s existentialism and a shred of Neil Simon has a serious and eventually moving moral about the perils of paralyzing procrastination.

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