Tag Archives: Barry Tarallo

She Loves Me Is A Sweet Confection At The Wick

Just in time for the start of the holiday, the Wick Theatre delivers a shiny ornament in the form of the unabashedly romantic musical She Loves Me.

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Hoary, Dependable Mousetrap Springs Again At The Maltz

The Mousetrap at the Maltz is indeed a hoary old chestnut chock full of clichés which weren’t even new when it bowed in 1952. But director Peter Amster and his cast wisely don’t try to fight it or update it. Instead they embrace it with gusto and with hardly a post-modern wink other than playing up everyone’s suspicious facets with a gleeful melodramatic flair that is usually, but not always under control.

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Actors’ Playhouse Mid-Life 2: The Crisis Continues — Second Verse Same As The First

These fluffy summer fripperies at Actors’ Playhouse must be successful because here’s a sequel Mid-Life 2: the Crisis Continues, the off-spring of 2008’s Mid-Life! The Crisis Musical. Once again, the same folks have achieved precisely what they sought: a fun, light-hearted divertissement, but the varied quality of the material is not worthy of the skill, talent, polish and unflagging commitment of the cast and crew.

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“So A Man Turns Into A Snail…” Quirky New Musical The Trouble With Doug Is No Slug At All

Sometimes theater works even when you can’t quite explain how or why or even quite what you saw. Such is the quirky, thematically fuzzy but thoroughly entertaining new musical at Arts Garage, The Trouble With Doug. The titular trouble is the archetypical twenty-something hero is turning into a slug. Not a slacker. An actual slime-oozing, lettuce-addicted slug

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Wick’s Full Monty Isn’t Half-Bad

The Full Monty is one of those scruffy street mongrels that are undeniably cute and even inexplicably winning for short periods, but not a stray you want to take home. The Wick Theatre’s production of the musical is competent, perhaps one of the better renditions you’ve seen of it, but its not equal to the recent triumph with 42nd Street.

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Maltz’s Appealing Annie Has Adorable Orphans, Skill & Polish, But Little Magic Or Heart

The Maltz Jupiter Theatre’s sumptuous and skillful production of Annie resembles that strange holiday gift that you’re not quite sure how to react to. It’s beautifully wrapped and artfully manufactured but it’s missing the magic and heart you were secretly hoping for.

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Phone Rings, Door Chimes, In Comes A Welcome Company Concert At PB Dramaworks

You may long for Palm Beach Dramaworks’ staged concert of Company to have one more week of rehearsal just to let it ripen and deepen, but what’s on stage remains an unassailably well-crafted, well-performed, downright entertaining production of Stephen Sondheim’s Continental Divide of American theater.

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Dramaworks’ Man of La Mancha Is Far More Than Staged Concert

Beautifully sung, passionately acted and staged with as much movement and business as anyone can ask of a limited rehearsal period, Palm Beach Dramawortks’ concert version mines much of the beauty and heart from one of the most glorious scores and emotionally-affecting scripts in American musical theater.

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Dramaworks’ Fantasticks Is Cool Drink of Summer Lemonade

By Bill Hirschman A gentle, compassionate smile at human folly suffuses The Fantasticks when it’s produced as well as Palm Beach Dramaworks has. Tom Jones and Harvey Schmidt’s classic chamber musical is a refreshing tumbler of iced lemonade on a …

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Working Is A Successful Labor of Love At Caldwell Theatre

  By Michelle F. Solomon When Grammy-winning composer Stephen Schwartz (Godspell, Wicked, Pippin) first adapted Studs Terkel’s 1974 book Working for Chicago’s Goodman Theatre it was 1977. Terkel’s book was an oral history of working life; its complete title was …

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