Tag Archives: David Arisco
As far as large-scale Broadway musicals, Ragtime stands as Actors’ finest mainstream work ever, as accessible and satisfying as it is passionate and thoughtful. Anyone who cares about musical theater, or theater in general, should make a special effort to see this production.
Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.
Actor’s Playhouse at the Miracle Theatre’s production of ,Miracle on South Division Street has all the makings to become a perennial holiday comedy favorite.
Every couple of years, Actors’ Playhouse – home of the mainstream musical –mounts an edgy modern work that nourishes the creative soul of the theater’s more adventurous patrons like next to normal and Floyd Collins. Add to that list the cult rock opera Murder Ballad that mixes love, lust, loss, passion, fury, pain and violence in a fatal triangle as old as Mankind but as current as last week’s tabloid.
Some patrons might be a tad uncomfortable at Murder Ballad at Actors Playhouse. After all, a lovesick swain likely will pour his heart out while standing on a chair a few inches away from an audience member’s face. A ticket buyer may find herself within spitting distance of a sweaty couple trying to kill each other.
These fluffy summer fripperies at Actors’ Playhouse must be successful because here’s a sequel Mid-Life 2: the Crisis Continues, the off-spring of 2008’s Mid-Life! The Crisis Musical. Once again, the same folks have achieved precisely what they sought: a fun, light-hearted divertissement, but the varied quality of the material is not worthy of the skill, talent, polish and unflagging commitment of the cast and crew.
Scott and Hem, an imagined reunion of Fitzgerald and Hemingway, is half comprised of deadly accurate insights into the angst of creative souls; the other half is just deadly dumps of name-dropping and exposition. A talented cast and director struggle to make the play at Actors Playhouse land solidly, and sometimes they succeed, but not always.
A delightfully demented cast enhanced by the inventive imagination of chief jester/director David Arisco and choreographer Ron Hutchins make Actors’ Playhouse’s Spamalot a satisfying pleasure even on its fourth or fifth visit.
End Of The Rainbow is not a Judy Garland tribute concert – it’s a dramatic play with music about her death spiral entering its final turn. Actors Playhouse’s production is shot through with witty gallows humor and compassion for a wounded soul.
Sometime after more than 400 performances, Wayne LeGette lost track of how often he had appeared in the enduring musical about relationships I Love You, You’re Perfect, Now Change. Whatever the figure was, the odometer is about to roll over this month.