Tag Archives: David Arisco
Miracle On South Division Street: Comedy Is Surprising Gift
Actor’s Playhouse at the Miracle Theatre’s production of ,Miracle on South Division Street has all the makings to become a perennial holiday comedy favorite.
Love and Lust Rage In Fatal Triangle In Actors’ Playhouse’s Rock Opera “Murder Ballad”
Every couple of years, Actors’ Playhouse – home of the mainstream musical –mounts an edgy modern work that nourishes the creative soul of the theater’s more adventurous patrons like next to normal and Floyd Collins. Add to that list the cult rock opera Murder Ballad that mixes love, lust, loss, passion, fury, pain and violence in a fatal triangle as old as Mankind but as current as last week’s tabloid.
Actors Playhouse Rips Into Auditorium For Murder Ballad
Some patrons might be a tad uncomfortable at Murder Ballad at Actors Playhouse. After all, a lovesick swain likely will pour his heart out while standing on a chair a few inches away from an audience member’s face. A ticket buyer may find herself within spitting distance of a sweaty couple trying to kill each other.
So Hemingway, Fitzgerald, Zelda, Picasso, Tallulah And Gertrude Stein Walk Into A Bar….
Scott and Hem, an imagined reunion of Fitzgerald and Hemingway, is half comprised of deadly accurate insights into the angst of creative souls; the other half is just deadly dumps of name-dropping and exposition. A talented cast and director struggle to make the play at Actors Playhouse land solidly, and sometimes they succeed, but not always.
Spamalot Is Supremely Silly And Delightfully Demented Fun
A delightfully demented cast enhanced by the inventive imagination of chief jester/director David Arisco and choreographer Ron Hutchins make Actors’ Playhouse’s Spamalot a satisfying pleasure even on its fourth or fifth visit.
End Of The Rainbow Focuses On Judy Garland’s Disintegration
End Of The Rainbow is not a Judy Garland tribute concert – it’s a dramatic play with music about her death spiral entering its final turn. Actors Playhouse’s production is shot through with witty gallows humor and compassion for a wounded soul.
15 Years, 4 Productions And 400-Plus Performances Later, Wayne LeGette Returns to Role
Sometime after more than 400 performances, Wayne LeGette lost track of how often he had appeared in the enduring musical about relationships I Love You, You’re Perfect, Now Change. Whatever the figure was, the odometer is about to roll over this month.
A PaperStreet Web Design
