Tag Archives: Andrew Shultz
Marquee Theater Company is still an evolving troupe. but it’s a shame that this production of Thoroughly Modern Millie isn’t Carbonell Award eligible – many elements would have given other companies a run for their money at next winter’s deliberations.
The MNM production of Monty Python’s Spamalot is silly and stupid.
Thank goodness. This edition of one of the funniest musicals of the past couple of decades revels in, savors, exults, wallows in the anarchic wacky vibe enshrined in the source material, the film Monty Python and the Holy Grail.
When the young Boca Raton company Marquee Theater’s production nails key moments of the indestructible Fiddler on the Roof, it’s exhilirating and entertaining on its own merits; when it falters, the material is so strong that it carries the decidedly uneven show.
Sometimes, as with Marquee Theater’s Jekyll & Hyde, the performances are so powerful that you forget the material isn’t worthy. Wildhorn’s pop-infused power ballad-addicted aesthetic divides fans. But there’s no ambivalence in this company’s enthusiasm and strong performances of Ben Sandomir in the title roles and, Alexandria Lugo as Lucy, the hooker-with-a-heart-of-gold and vocal-chords-of-steel.
Marquee Theater Company’s production of Jason Robert Brown’s Songs For A New World slices open the studied flat affect of the “Whatever” generation to expose inner lives as vibrant, complex and tumultuous as that of any group before them.
The surprisingly impressive bow of the new Marquee Theater Company with its production of the pop musical Aida is notable for, among other things, the professional debut of its star, Alexandria Lugo
Not meaning disrespect to local producers, but the founders of the new Marquee Theater Company opening its second show this weekend in Boca Raton argue that there is no need to go to New York to find the talent needed to mount professional musicals with an expansive scope.