Tag Archives: Michael Scott Ross

Wick’s Fiddler Suffused With Joy, Sadness & Memorable Tevye

the Wick has been trying for 10 years to acquire the rights to stage Fiddler. Well, the time has finally arrived. But tickets may be hard to obtain; Fiddler on the Roof is an immensely popular show. A large, talented cast of performers, several of them recognizable faces from other South Florida theater productions, invests the Wick’s mounting with joy and sadness.

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Slow Burn’s Practically Perfectly Delightful Mary Poppins

Of course, Mary Poppins does fly in Slow Burn Theatre Company’s glorious production at the Broward Center for the Performing Arts. As the song goes, this Mary Poppins is “Practically Perfect,”

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Wick Cinderella Is a 21st Century Reboot of the Classic

Charm bubbles throughout the Wick Theatre’s lush production of Rodgers and Hammerstein’s Cinderella, a very 21st Century riff on the classic musical that can legitimately be promoted as entertaining for the whole family. The original beloved score is beautifully enhanced with new orchestrations, but don’t go expecting Hammerstein’s fairy tale script that you may have seen with Julie Andrews or Lesley Ann Warren.

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A Musical Beauty ‘Pageant’ Like None You’ve Seen – Probably

The musical comedy Pageant at Island City Stage delivers a lush array of talented contestants in carefully coifed wigs and gowns — except they’re all men.

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Slow Burn’s Groundhog Day Is Worth Visiting Again — & Again

The first things to know about Slow Burn Theater Company’s musical Groundhog Day is (a) do not go expecting to see the movie and (b) do not go expecting Bill Murray. The third thing is that it doesn’t matter. At all. This unapologetically uplifting, deeply poignant and very funny version is well worth seeing over and over on its own terms.

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Tragedy Tomorrow, Comedy Tonight At MNM’s A Funny Thing

MNM Theatre Company’s delightfully silly production of A Funny Thing Happened On The Way To The Forum is a musical that prides itself on broad low and often ribald humor, pratfalls, double takes and half the encyclopedia of vaudevillian comedy.

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The Wick’s Pirates Is The Very Model Of A Modern G&S

This may seem a backhanded compliment, but it is meant with awe : The most memorable aspect of The Wick Theatre’s The Pirates of Penzance is you can understand the bloody words. The production has many other virtues: delightfully broad comedy a parade of costumes that are a hoot in themselves, first-rate soloists and an overwhelming choir-smooth ensemble.

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MNM Theatre Co. Hosts A Welcome Return to Avenue Q

MNM Theatre ’s Avenue Q, the musical comedy with foul-mouthed and copulating puppets, has never been as clearly about education as now. It’s the curriculum about coping with disappointment waiting in the real world.
The drolly hilarious Avenue Q, being given a “fine, fine” outing by MNM, is also imbued with a quiet sadness and accompanying sympathy for the loss of hopeful naiveté.

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Go Find Your Grail With Arthur & Company At MNM’s Spamalot

The MNM production of Monty Python’s Spamalot is silly and stupid.
Thank goodness. This edition of one of the funniest musicals of the past couple of decades revels in, savors, exults, wallows in the anarchic wacky vibe enshrined in the source material, the film Monty Python and the Holy Grail.

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Zoetic’s Shimmering Sunday Explores Conflict Between Artists’ Calling And ‘Real Life’

A wave of sheer glory lifts the audience into a firmament of validation, redemption and pure beauty in the last ten minutes of Zoetic Stage’s production of the Stephen Sondheim-James Lapine masterpiece Sunday in the Park with George.

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