Tag Archives: Emily Tarallo

MNM’s Grease Struts Its Stuff When The Music Starts

If you hire strong voices as they did in MNM Theatre Company’s production, the venerable musical Grease cannot help but be entertaining with its elbow-nudging pastiche of faux late ‘50s-early ‘60s rock n’ roll. The challenge in which MNM doesn’t prevail is finding the difficult to locate tone for the script scenes because Grease is not simply a straight ahead comedy as it’s played here.

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Slow Burn’s Rock Of Ages Isn’t Your Grandma’s Musical

If there’s any way to get folks to the theater who don’t usually go, Slow Burn’s Rock of Ages can do it. Director/choreographer Patrick Fitzwater knows exactly how to squeeze every inch of character out of this cheesy, goo fest of a jukebox musical to entertain aforementioned non-theater types, who can’t wait to re-live the glory days of the 1980s, of which the soundtrack of the show relies.

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Slow Burn’s Immersive Tarzan Is High-Flying Welcome To Jungle

Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.

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Slow Burn’s Xanadu Skillfully Follows A Middling Muse

Slow Burn Theatre has certainly captured Xanadu’s vibe in the company’s spirited, stupidly happy revival of its own 2012 production, which opened last weekend in Aventura and which will soon tour Delray Beach and Fort Lauderdale

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Vibrant Swing! Swing! Swing! Revue Among Stage Door’s Best

The skill, power and imagination that Kevin Black, Ben Bagby and their colleagues have invested make Swing! Swing! Swing! as good or better than any other revue that Broward Stage Door has produced. back in time.

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Once More With Feeling, A Local ‘Hair’ Cavorts At The Kravis

Hair never was and isn’t now accurate reportage on the 1968 counter-culture,any more than Oklahoma was a faithful account of homesteading on the eve of statehood. But what the raw material got right and MNM Productions’ engaging edition gets right at the Kravis Center is the infectious vitality, youthful optimism and the genuine sense of communal love.

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Wick’s Curtains Is Musical For The Theater Nerd In All Of Us

Curtains is a show designed for anyone who loves musical comedy, or anyone who has ever played Toto in a community theater production of The Wizard of Oz. Envisioned as a no-calories hoot of a love letter to the quirky dysfunctional denizens of the theater, it is accurately promoted with tongue firmly in cheek as “A New Backstage Murder Mystery Musical Comedy.”

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Dancers and Singers Propel Thrilling West Side Story

Actors’ Playhouse pulls out all the stops to mount its annual winter centerpiece production. Director David Arisco molded a troupe of actor-singer-dancers who deliver a vibrant evening remarkable for its prolonged sections of power and verve.

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Fledgling Marquee Theater’s Songs For a New World Bares The Souls Of Young Adults

Marquee Theater Company’s production of Jason Robert Brown’s Songs For A New World slices open the studied flat affect of the “Whatever” generation to expose inner lives as vibrant, complex and tumultuous as that of any group before them.

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Slow Burn Lands Really Big Fish In Bow At The Broward Center

With this production of Big Fish, Slow Burn Theatre Company has proven itself with no asterisks to be the equal of any company producing musicals in the region, some with far more resources, government grants and well-heeled donors — not to mention among the most adventurous in tackling what few others attempt.

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