Tag Archives: Mike Westrich
When entering a theater playing a musical you’ve enjoyed numerous times, it’s comforting to open the playbill to find the names of proven talents that reassure that you and the material are in good hands. Names, for instance, like Mike Westrich, Bruce Linser, Mallory Newbrough, Paul Reekie and Jim Ballard – some of the dependable hands delivering a solid entertaining edition of the delightful Little Shop of Horrors from MNM Productions.
The MNM production of Monty Python’s Spamalot is silly and stupid.
Thank goodness. This edition of one of the funniest musicals of the past couple of decades revels in, savors, exults, wallows in the anarchic wacky vibe enshrined in the source material, the film Monty Python and the Holy Grail.
The First Step (Diary of a Sex Addict), which makes the rounds of video porn parlors, urinals, gay baths and sessions of a self-help group, sounds like the premise for a Saturday Night Live skit. And Michael Leeds’ play at Island City Stage is, indeed, very funny. But woven into the outrageous humor is a compassionate in-depth examination of the emotional spiral wreaked by the tyranny of this specific disease/illness.
What do Cabaret, Chicago, Fun Home, Almost Maine and Angels in America have in common? Somebody somewhere has banned their production at some point. To push back, Zoetic Stage and the Dramatists’ Guild Legal Defense Fund with the Adrienne Arsht Center is producing a free staged reading of Banned Together: A Censorship Cabaret at 7 p.m. Monday at the Carnival Studio Theater at the Arsht Center.
Hair never was and isn’t now accurate reportage on the 1968 counter-culture,any more than Oklahoma was a faithful account of homesteading on the eve of statehood. But what the raw material got right and MNM Productions’ engaging edition gets right at the Kravis Center is the infectious vitality, youthful optimism and the genuine sense of communal love.
By Hap Erstein In the same way that Slow Burn Theatre Company’s artistic director Patrick Fitzwater has a good eye for spotting performance talent, he also is savvy at identifying worthy new composers and lyricists. Sometimes, however, his ability to …
Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.
Okay, everybody dies and the world is taken over by human-eating aliens, but Slow Burn Theatre Company’s Little Shop of Horrors delivers a happy ending to its five-year partnership with West Boca Community High School.
Slow Burn Theatre Company’s Rent is ambitious, daring, electric and 2 1/2 hours of non-stop rock ‘n’ roll — a no-holds barred, take chances, go-out-on-a-limb spectacle. But when stripped of the spectacle, the characters, some facing death, with others living in the shadows of HIV/AIDs, lack life.
Seeking “Who am I?” is the defining journey of most lives, and our religious heritage is part of the solution, even if we don’t embrace that religion or its culture. Such is the soul of Stars of David: Story To Song, a musical revue, which, despite its cripplingly kitschy title, is a surprisingly entertaining, witty and poignant look at how Jewish-Americans struggle on that journey.