Tag Archives: Michael Leeds
White Guy on the Bus at GableStage is a merciless dissection of race relations in the 21st Century, but stunning plot twists prevent us from explaining much further than a wealthy white businessman strikes up an acquaintanceship with an African-American nursing student on a bus. But superb performances and a fierce script make this a don’t miss.
No one could accuse the cast of Shorts Gone Wild 6 of being low energy. They spend the production’s interstitial moments cartwheeling, performing splits, engaging in slapdash chicken dances, telling jokes, winking through bawdy double entendres. But most of the plays are less memorable than their spirited introductions.
When did yesterday’s renegades, who skirted AIDS and lived boheme on a ramen noodle diet in the go-go eighties, become today’s get-off-my-lawners? These questions, and plenty more, linger between the lines of Mr. Parker, Michael McKeever’s elegant dramedy world-premiering at Island City Stage.
From Door to Door, a bittersweet comedy retracing the evolution of Jewish-American womanhood through 65 years of the 20th Century, is a procession of clichés spread over 80 minutes. But if the current production at Broward Stage Door doesn’t have much vibrancy or energy, it admirably underscores that beneath tropes lies truth.
The Camp, a world premiere drama from the West Boca Theatre Company does not advance the age-old discussion how “good” people can be passively complicit in horrors, but Michael McKeever’s insightful script and a solid cast under Michael Leeds’ direction expertly provide a three-dimensional illustration that forces the audience to query their own souls about their responsibility to oppose evil.
Seniors and caretaking Boomers recognize the real pain informing the facile catchphrase “Growing old is not for sissies” – a quality sharing the stage with copious laughs in Broward Stage Door’s production of Neil Simon’s The Sunshine Boys.
Shorts Gone Wild 5, co-produced by City Theatre with Island City Stage, follows the same entertaining pattern eliciting guffaws, chuckles and a few choked back sniffles with risque and luight blue material. The acting and direction keeps improving year after year and those elements rescue scripts less deftly written. But this edition feels different for an intriguing reason.
Not every theatrical event has to be an outsized venting of passion filled with intellectual pyrotechnics. Sometimes a work can be satisfying to the brain and the heart as a gentle celebration of imagination and human behavior as with Pigs Do Fly’s world premiere of Michael Leeds’ Impressions.
Pigs Do Fly Productions — which has done mostly short plays by, for and about people 0ver 50 — has jumped even deeper into the play-ing field by presenting the world premiere of Michael Leeds’ Impressions, which opens this weekend.
Just about two years after Island City Stage premiered Michael McKeever’s Daniel’s Husband and it currently playing off Broadway, Island City Stage takes on another world premiere play that has the makings of what could be a successful regional theater offering.