Tag Archives: Roderick Randle
Feature: MND Explores ‘Dangerous Days’ & Aftermath Of Arthur McDuffie’s Death
A preview look at Dangerous Days, a play at Miami New Drama about the 1980s tumult following the acquittal of four officers by an all-white male jury for the beating of Arthur McDuffie.
Summer Shorts Return With a Miami/ BIPOC / LatinX Flavor
City Theatre’s Summer Shorts vibrates with the unique distinctive essence that exceeds traditional adjectives and can best be captured in the word “Miami.” Indeed, the production is subtitled “Homegrown Edition,” but the venerable company has committed for the first time to brand new works exclusively written by, directed by and acted by BIPOC/LatinX artists who reflect the region’s multi-culturalism.
M Ensemble’s 1972 River Niger Captures Conflict in Black Lives
M Ensemble Company revives the 1972 award-winning The River Niger capturing a crossroads in Black life in America with a depiction of passionate, intelligent people debating diametrically opposed philosophies of how Black citizens should fight for justice in a racist world.
Main Street Players’ Topdog/Underdog Is Slow Motion Shattering Drama
Main Street Players’ version of Suzan-Lori Parks’ Topdog/Underdog rewards the patient patron is watching a slow-motion shattering of two brothers struggling with institutionalized racism, poverty, sibling rivalry, and troubled pasts stretching from childhood to last week.
Racial Issues Permeate Main Street’ Players’ ‘Shakespeare is a White Supremacist’
The premise: A white director leads a multi-ethnic cast in a Midsummer’s Night as an answer to charges of institutional racism. But with wry humor and painfully incisive drama, Main Street Players’ edition of Andrew Watring’s “Shakespeare is a White Supremacist” examines the intersection of theater and racism as a metaphor for larger problems afflicting society in 21st Century America.
Powerful Performances, Direction Make New City’s ‘Raisin In The Sun’ A Must See
Attention to detail in each element of New City Players’ Raisin in the Sun makes it truly spectacular on every level, and that especially goes for the directing and the acting.
Main Street Works Hard But Superior Donuts Disappoints
It took Main Street Players’ lethargic production of Superior Donuts about 20 minutes to show much signs of life, and even then the primary electricity came from one actor as a young man ablaze with ambition and hope. This theater has gifted us with some fine work such as Bad Jews. But little voltage sparks across this story about hopes and dreams.
Not Just For Kids, Theatre Lab’s Initial Family-Friendly Ronia Elevates And Inspires
Ronia, the Robber’s Daughter — the first offering of Theatre Lab’s family-friendly series — satisfies the parameters of youth theatre but with a pedigree that transcends its genre, a production bristles with imagination, wit and pathos that resonate across all generations.
New City Players’ Uneven, Occasionally Brilliant Clybourne Park is Not Black & White
Produced competently, with flashes of brilliance, by New City Players at the Vanguard, Clybourne Park’s expose of the evolving presentation of white privilege over generations has lost some of its structural novelty, observational luster and ability to shock in the seven years since its regional premiere at the Caldwell
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