Tag Archives: Gabriell Salgado

Generation Clash Helps Fuel 4000 Miles at Dramaworks

Sometimes, the worthwhile reason to see Palm Beach Dramaworks’ mounting of 4000 Miles, the satisfying treat is watching the vibrating depiction by up-and-comer Gabriell Salgado of a deeply troubled young man and the brilliant portrait by Patricia Conolly of a 91-year-old grandmother staying vital and engaged while struggling with the debilitating effects of old age.

Posted in Performances, Reviews | Tagged , , , , , | Leave a comment

Hollywood’s Homophobic Hypocrisy Examined in The Code

The soul-killing inherent in the film dream factory’s deconstruction and then sanitized reconstruction of its icons has been a popular topic, from 1932’s What Price Hollywood to four versions of A Star is Born. But Michael McKeever’s incisive world premiere The Code at The Foundry attacks it from a different fresh angle that is painfully topical.

Posted in General, Performances, Reviews | Tagged , , , , , , , | Leave a comment

There’s No Place Like Homeland, Not Even What Was Once

The concepts of home and homeland—especially when they are no longer the same place— have become even more complicated in the 21st Century for Cuban-Americans highlighted in Hannah Benitez’ world premiere GringoLandia commissioned by Zoetic Stage, a gentle comedy woven with the struggles of a past that no longer exists.

Posted in Performances, Reviews | Tagged , , , , , , , , , , | Leave a comment

Dickens Nailed It: South Florida Theater Two Years In Review

If Dickens’ opening line in A Tale of Two Cities has become a trite cliché through overuse it has become a painfully accurate truism about theater over the past two years, especially South Florida theater. Crippling loss and inspiring resurrection. Surrender and perseverance. And , now, the Covid threat has reasserted. But looking back on those two years delivers a testament worth celebrating and learning from.

Posted in Features | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Zoetic Stage’s Breathtaking Frankenstein Delivers A Different Brand of Horror

The “horror” in Zoetic Stage’s Frankenstein shares little kinship with the film monster with bolts in his neck terrorizing the countryside or even the 1818 novel of science gone wrong. But a different very contemporary terror is there all the same from the breath-taking wordless prologue of a stitched together embryo clawing out of a pod to the silent final image of two bodies crawling through Arctic waste.

Posted in Performances, Reviews | Tagged , , , , , , , , , , , , , , , , , , , | Leave a comment

Faced With Pandemic, Zoetic’s Improv Troupe Soldiers On

As live arts and entertainment return in fits and starts, and our culture continues its tortoise crawl toward normal, one thing has become apparent: Face masks may be vital in impeding the spread of COVID-19, but they equally hamper the spread of comedy. The debut of Zoetic Schmoetic showed the more physical the show becomes—the more the actors’ bodies, not their voices, drive the storytelling—the better it gets.

Posted in Reviews | Tagged , , , , , , , , | Leave a comment