Tag Archives: Stuart Meltzer
By Oline H. Cogdill Family get-togethers can be fraught with underlying disagreements, resentments augmented by past histories. But in the case of the extended family in Zoetic Stage’s solid production of the intelligent Wicked Child, it is love and respect …
By Oline H. Cogdill A sandwich is more than ingredients between two slices of bread at Clyde’s, the truck stop diner that is the setting and title of Lynn Nottage’s deliciously insightful play now receiving a superb production at Zoetic …
By Aaron Krause Picture yourself almost continuously laughing while maintaining an iron grip on the novel you are reading. Your eyes have remained wide open for so long that your eyelids feel heavy. But you force them …
This Zoetic production of Next To Normal – easily one of the finest in its history — blesses the audience with a deeply affecting meld of fluid staging, glorious music and five superb performances clustered around an incandescent one by Jeni Hacker as Diana that exceeds superlatives.
American Rhapsody, Michael McKeever’s sprawling premiere at Zoetic Stage, is a history play, a bildungsroman, a tribute to fluid families, a cautionary tale about where the zeitgeist might be headed. It spans more than 60 years and feels, perhaps like the American experiment itself.
Quite a come back year: World premieres, epic musicals, moving two-character dramas, you name it. Here’s not so much a “best of the year” list – no such list can be reliable or complete – but a random recognition of outstanding performances, productions, trends and just moments that theaterlovers will carry with them into 2023.
A tattoo of a sea serpent is playwright Lucas Hnath’s damning metaphor for the grip of ambition to the point that betrayal of anyone is an accepted expedient in the scathing Red Speedo from producer Ronnie Larsen at The Foundry. Using competitive sports as a milieu, Hnath depicts people willing to violate moral codes and personal loyalties in pursuit of the American Dream — as ingrained today as it was when Arthur Miller decried it in 1949.
Miami native Alexis Scheer’s Our Dear Dead Drug Lord, a stygian dark and terribly funny play about modern day adolescence executed by Zoetic Stage, is a stunning – a carefully chosen word – piece of pure theater. A scene can be downright hilarious then suddenly blood-chilling, and then, as the blood is still chilling, there are laugh lines.
Some of the most skilled theater artists in the region deliver a gloriously funny and moving celebration of the work of the finest musical theater genius of the 20th and 21st Century in Zoetic Stage’s do-not-miss-this production of Side by Side by Sondheim with more emotional depth and directorial touches than in any of the many other revues.
The concepts of home and homeland—especially when they are no longer the same place— have become even more complicated in the 21st Century for Cuban-Americans highlighted in Hannah Benitez’ world premiere GringoLandia commissioned by Zoetic Stage, a gentle comedy woven with the struggles of a past that no longer exists.