Tag Archives: Stuart Meltzer

The Joy And Pain Of Discovery Make Zoetic’s Fun Home Soar

The stirring musical Fun Home is a detective story in which the mystery is never solved, but the investigator comes to terms with the existence of the enigma. What Zoetic Stage’s triumphant production does better than the Tony-winning production is its depiction of the unalloyed joy and bottomless agony of discovery in that journey.

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Dancing Lessons Teaches More About Life Than Fancy Steps

Dancing Lessons is punctuated with interpersonal strife, frustration, heartache and some very funny moments. But mostly Zoetic Stage’s production is a warm quiet sustained smile for a warm quiet early spring night.

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Tragedy And The Law As Circus Acts In Zoetic’s Wrongful Death

They are unlike any trials you have ever seen on Law & Order. Zoetic Stage’s world premiere of Christopher Demos-Brown’s Wrongful Death And Other Circus Acts is a hilarious but merciless satire on the civil legal profession by, indeed, setting the evening in and as a highly stylized circus.

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Demos-Brown Is Opening New Play This Week At Zoetic, But The Big News Is Broadway

Christopher Demos-Brown has a world premiere Friday of Wrongful Death And Other Circus Acts at Zoetic Stage, but his play American Son is slated to open on Broadway in November.

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A Last Look Back At 2017, A Fine South Florida Theater Season

One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”

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Zoetic Stage Deals Perfect Hand With Parks’ Topdog/Underdog

The cat and mouse game in Zoetic Stage’s Topdog/Underdog moves as swiftly and cunningly as the two characters’ dexterity in the shell game, which in this case is three-card monte, a street hustle card con. This is already one of those must-sees.

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In Goldberg Variations, Traumatic Family Gathering Becomes Re-enactors’ Playhouse

The stage is a fungible place. Sets can transform, actors can fly, characters can break walls, especially the fourth. There is limitless potential in the blank canvas of floorboards and lighting, as Stuart Meltzer’s gently experimental The Goldberg Variations reminds us at Island City Stage.

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McKeever/Zoetic’s ‘After,’ GableStage’s ‘Royale’ Top Winners At 41st Carbonells

Michael McKeever, a beloved and prolific figure in local theater, set a record Monday when he won his eighth Best New Work at Monday’s Carbonell Awards for the scorching drama After, but he was unable to accept the honor personally because he was in New York City the night before the opening of his play Daniel’s Husband, which won the same prize last year.

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Whatever It Means, Zoetic Stage Delivers Bravura Edition Of Harold Pinter’s The Caretaker

Zoetic Stage’s brilliantly-executed bravura production of Harold Pinter’s 1960 The Caretaker may be as baffling as Waiting For Godot. But every element of this comic drama is superb from acting that embraces Pinter’s notorious silences to the fluid staging to the evocative set design to the transcendent lighting.

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Fuacata!: Zoetic Stage’s Hilarious And Touching Journey Through Miami-Dade’s Latina Culture

When Elena Maria Garcia, one of the finest comediennes in the region, and Stuart Meltzer, one of the finest directors, team up to co-write Fuácata! (Or a Latina’s Guide to Surviving the Universe) at Zoetic Stage, it’s cause for celebration.

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