Tag Archives: Erynn Dalton
Infinite Abyss, which has produced some solid work like last season’s Extremities, just falls flat this time out with Quills which reeks of amateurism.
Just about two years after Island City Stage premiered Michael McKeever’s Daniel’s Husband and it currently playing off Broadway, Island City Stage takes on another world premiere play that has the makings of what could be a successful regional theater offering.
While Infinite Abyss deserves praise for attempting the abysmal script for Love and Human Remains, they simply cannot force this intentionally bizarre journey rife with explicit sex, nudity, blood and emotional violence to seem like anything but a ham-handed amateurish mess.
When Topher Payne’s Perfect Arrangement bowed in 2013, the satirical indictment of homophobia, hypocrisy and a half-dozen other themes was a witty and insightful commentary. In the context of last week’s election, Island City Stage’s production is a terrifying reminder of the dangers of navigating a repressive culture through submissive accommodation.
Infinite Abyss’ courageous production of Extremities opens with one of the most harrowing 15 minutes in theater and ends with a troubling finale. But the challenge is the play in between, an examination of the extent human beings will go for justifiable revenge and the toll that the pursuit wreaks on our humanity.
Evening Star and Infinite Abyss co-produce Tracy Letts’ surreal depiction of spiraling paranoia complete with copious amount of blood in an edition that slogs too slowly too long but ratchets up into an emotional and psychological fireball of horror.
The first 15 minutes of Infinite Abyss’ Snow White Trash is a delightfully zany spoof that imaginatively reinterprets the fairy tale as a crass, royal blue hoot in which Disney’s sweet but dimwitted heroine takes refuge with the mullet-headed Dwarf Family living in a trailer park. Unfortunately, after that, there’s another 50 minutes left.