Tag Archives: Michael McClain
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
Tarzan: The Stage Musical, by regional theater troupe Slow Burn Theatre plays just fine in the smaller, almost 600-seat Amaturo Theater at the Broward Center for the Performing Arts, but, truth be told, it could have easily passed for a touring road show version that’s usually on stage next door in the more than double-the-size Au-Rene Theater. Yes, it’s just that good.
Zoetic Stage’s brilliantly-executed bravura production of Harold Pinter’s 1960 The Caretaker may be as baffling as Waiting For Godot. But every element of this comic drama is superb from acting that embraces Pinter’s notorious silences to the fluid staging to the evocative set design to the transcendent lighting.
A wave of sheer glory lifts the audience into a firmament of validation, redemption and pure beauty in the last ten minutes of Zoetic Stage’s production of the Stephen Sondheim-James Lapine masterpiece Sunday in the Park with George.
When Topher Payne’s Perfect Arrangement bowed in 2013, the satirical indictment of homophobia, hypocrisy and a half-dozen other themes was a witty and insightful commentary. In the context of last week’s election, Island City Stage’s production is a terrifying reminder of the dangers of navigating a repressive culture through submissive accommodation.
There’s something thrilling about seeing a world premiere play unfold. And when the playwright is one of South Florida’s great hopes to get an original play to the Great White Way, there’s even more of excitement to see his latest work.
That was the energy that prevailed over the production of Michael McKeever’s After at Zoetic Stage.
Immersive technology goes a long way in elevating Topher Payne’s Angry Fags at Island City Stage, but the play still suffers from elephantine pacing and a sense of crippling logorrhea. Yet there is a modicum of brilliance awaiting patient audiences.
In Christopher Demos-Brown’s shattering world premiere Stripped at Zoetic Stage, the audience is faced with a complex child custody case is forced to judge past the surface facets of a case in which it will be impossible to “do no harm.”
Twenty-seven theater artists and organizations will receive the eighth annual South Florida Silver Palm Theatre Awards honoring an outstanding or unique contribution,” the group announced Monday.