Tag Archives: Christina Groom

Have I Got A Girl For You Entertains, But Proves Island City’s Savvy For New Works

The small, yet “can do” Island City Stage swept the Carbonell Awards for the drama The Timekeepers. Its latest comedy, Have I Got A Girl For You, has an originality that shows what this company really can do.

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Outre’s Ambitious Vision Of Much Ado About Nothing Only Works Part Of The Time

In keeping with Outré’s commitment to go-big-or-go-home, its Much Ado About Nothing is a valiant effort that only works some of the time. There are low comedy laughs, but the intricate word play and fleeting moments of verbal loveliness usually gets lost in the mouths of actors uncomfortable with Shakespearean speech.

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Kutumba’s The Beebo Brinker Chronicles About Lesbians In The 1950s Doesn’t Quite Gel

The question nagging Kutumba Theatre Project’s The Beebo Brinker Chronicles was what did it want to be? Farce? Drama? Satire? Soap opera? A lampoon of 1950’s pulp novels? An homage to 1950’s pulp novels? If it was all of the above, it didn’t meld into a cohesive whole, even when isolated moments worked as farce, soap opera, homage or lampoon.

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New Theatre’s Agnes Of God Depicts Intriguing Battle Between Faith And Reason

By Bill Hirschman It’s been a season of struggles between faith and reason, intellect and romanticism, science and religion in South Florida theater: Amadeus at the Maltz Jupiter Theatre, The Magic Flute at Florida Grand Opera, and simultaneous productions bowing …

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Misbegotten Sound Quality Cripples Outre’s Admirable Attempt To Do The Wild Party

Tragedy suffused opening night at Outré Theatre Company’s inaugural production of the dark musical The Wild Party, but it wasn’t the story of Jazz Age hedonists plummeting through a doomed love quadrangle. It was so many hard-working artists’ work going down the toilet because of the worst sound of any production since Actors Playhouse’s infamous Hairspray last season.

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Outre Theatre’s First Show Is Challenging ‘The Wild Party’

Some troupes ease into existence with a modest, surefire and frugal first full production. Not Outré Theater Company. South Florida’s newest professional company bows Friday with Andrew Lippa’s The Wild Party. The 2000 off-Broadway cult hit combines a brilliant but edgy Jazz Age score with a jet black story of self-destructive hedonists in the 1920s who indulge in virtually every vice imaginable.

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StageBill Blog: Here’s To Savoring The Joy Of Discovery

Audience members have few joys as pungent as discovery. Which brings us to the fledgling Outré Theatre Company and Tuesday night’s staged reading of the ink-black comic drama Dog Sees God: Confessions of a Teenage Blockhead at Empire Stage– and Outré’s reading in May of the chamber musical tick…tick…BOOM.

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