Tag Archives: Christina Groom

Shorts Gone Wild Is Rainbow Of Gay-Themed Plays For Everyone

If the context of the eight sketches in Shorts Gone Wild 3 is primarily gay-centric, the material and performances have markedly improved year after year until it has reached a high-water mark in the series’ quality.

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Thinking Cap Hosts Comic Daffiness In The Book Of Liz

A naïve young woman from an isolated religious cult called the Squeamish (think Amish) finds herself in an oversized Mr. Peanut outfit on a highway giving the finger to honking motorists. Such daffy nonsense is indicative of the delightful satire in Thinking Cap Theatre’s The Book of Liz, a hoot by Amy and David Sedaris.

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Outre’s Bloody Bloody Andrew Jackson Is, Well, Bloody Good

With bracing anger, profuse profanity and biting satire that is more slashing than surgical, Outre Theatre Company’s Bloody Bloody Andrew Jackson will not to be everyone’s taste but for those whose preference run more to Rent than Mamma Mia, this is your acidic cup of tea.

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The Best Of Times Is Now: Memorable Moments Of 2014

Here’s a look back at 2014 including a very subjective subjunctive reductive list of outstanding shows, performances and developments guaranteed to make someone unhappy they were not on the list. Take comfort in that there was so much good work that this is the crème de la crème de menthe.

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Speaking Verse Needs Work, But Outre’s Othello Is Praise-Worthy Undertaking From Outre

Audiences need to savor the undeniable virtues of local Shakespearean productions — even when counter-balanced by well-intentioned but equally undeniable shortcomings. Such is the case with the laudable Outré Theatre Company production of Othello imaginatively directed by Christina Groom and featuring Troy Davidson in a persuasive central performance.

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New Theatre Neatly Untangles A Gordian Knot In Gidion’s Knot

This is why we go to theater. New Theatre’s Gidion’s Knot – wrenching, thought-provoking, shocking, visceral in ways no film can be– exemplifies why we spend time in dark rooms watching live people pretend to be people they’re not.

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Another Openin’ Another Show, Another Openin’ Another Show, And Another Openin’ Another….

The snowbirds have gone home, but South Florida theater never seems to go dark these days. This year-round trend has never been clearer than right now with a calendar is jammed with an overwhelming cornucopia of options over the next two or three weeks. Here’s an incomplete overview:

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Have I Got A Girl For You Entertains, But Proves Island City’s Savvy For New Works

The small, yet “can do” Island City Stage swept the Carbonell Awards for the drama The Timekeepers. Its latest comedy, Have I Got A Girl For You, has an originality that shows what this company really can do.

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Outre’s Ambitious Vision Of Much Ado About Nothing Only Works Part Of The Time

In keeping with Outré’s commitment to go-big-or-go-home, its Much Ado About Nothing is a valiant effort that only works some of the time. There are low comedy laughs, but the intricate word play and fleeting moments of verbal loveliness usually gets lost in the mouths of actors uncomfortable with Shakespearean speech.

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Kutumba’s The Beebo Brinker Chronicles About Lesbians In The 1950s Doesn’t Quite Gel

The question nagging Kutumba Theatre Project’s The Beebo Brinker Chronicles was what did it want to be? Farce? Drama? Satire? Soap opera? A lampoon of 1950’s pulp novels? An homage to 1950’s pulp novels? If it was all of the above, it didn’t meld into a cohesive whole, even when isolated moments worked as farce, soap opera, homage or lampoon.

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