Tag Archives: Phillip Andrew Santiago

One Man, Two Guvnors Is Entertaining If A Bit Long

There are probably 27 synonyms for the word funny and 157 familiar tropes. All the words apply and all the classic bits can be found in Actors’ Playhouse’s farce One Man, Two Guvnors.

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Premiere Of Havana Music Hall Conjures The Spirit Of Cuban Musicians Of 1958 And Now

From the trumpet blast opening the world premiere Havana Music Hall at Actors’ Playhouse, the stage explodes with color and light and, above all, that pulsing music, all ablaze with a vibrancy and vitality of a time and a world far away. This recreation of a Cuban nightclub in 1958 likely makes the point clearer than any speech or treatise about the cultural, spiritual and artistic treasure that was lost when Castro seized power.

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Not Just Another Day At The Office: GableStage’s Caustic, Whipsmart Dramedy “Gloria”

At some workplaces, employees indulge in healthy rivalry, support each other professionally and personally and, sometimes, forge deep friendships that last long after the job has ended. That is not the kind of environment the editorial assistants toil in the caustically dark dramatic comedy Gloria, getting a whip-smart production at GableStage.

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Off-Beat ‘Love And Human Remains’ Fails In Its Ambition

While Infinite Abyss deserves praise for attempting the abysmal script for Love and Human Remains, they simply cannot force this intentionally bizarre journey rife with explicit sex, nudity, blood and emotional violence to seem like anything but a ham-handed amateurish mess.

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Commitment Makes Up For Spectacle In Outre’s Tommy

Outré Theatre Company’s edition of Tommy demonstrates how skill, imagination and pure guts can triumph over the most modest of means. Its greatest virtue in bringing the classic rock opera to the postage stamp stage is a total, laser-focused tsunami-strength commitment.

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