Tag Archives: Gregg Weiner

“Time Stands Still” Is Fodder For Introspection As Drama Unfolds

Donald Margulies’ drama Time Stands Still which enjoys a solid production at GableStage is not a thrilling or enthralling production; it’s one that keeps you thinking long after the lights come back up about whether we are jettisoning our responsibility as human beings to, first, feel something and, second, act on it.

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GableStage’s A Steady Rain is a Deluge of Great Acting

The bond between two friends is tested by their own morality and betrayal in A Steady Rain by Keith Huff, now making in southeastern premiere at GableStage in Coral Gables. Together,actors Gregg Weiner and Todd Allen Durkin create a riveting pas de deux that is not to be missed.

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Promethean Takes Final Bow “Because It’s Time” — And Lack of Donor Support

In the sense that economics are the root cause, observers might group The Promethean Theatre’s imminent closing with the high profile problems plaguing other South Florida theaters during the past year.

But co-founder Deborah L. Sherman makes a distinction. The eight-year-old theater in Davie is closing in the black, before it owes a dime, and, most important to her, while the quality of its productions allows her colleagues to hold up their heads with pride.

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Caldwell Theatre’s Chad Deity Has All The Right Moves

The Caldwell Theatre’s hilarious satire The Elaborate Entrance of Chad Deity by Kristoffer Diaz sneaks a critical rabbit punch at the solar plexus of society. The milieu of “professional” wrestling should not dissuade serious theatergoers, although the faux spectacle including brief grappling bouts will entertain anyone but a killjoy. The copious comedy is laced with cutting social commentary about demagogues exploiting our prejudices about race and nationality to make money or gain power.

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Caldwell’s Chad Deity Is Unlike Any Show You’ve Ever Seen — Unless You’re A WWE Fan

It’s a safe bet that hardly any theatergoer in South Florida will have seen a play like The Elaborate Entrance of Chad Deity when it opens this week at the Caldwell Theatre Company. After all, rarely do rehearsals require actors learn World Wrestling Entertainment moves that while bogus are actually downright dangerous to the execute. Or where the director is flipped in the air by a burly athlete and lands flat on his back.

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Priming the Play: The Furious Competition that Fuels Red

In a play comprised primarily of complex insights articulated at the audience for nearly 90 minutes, what many people remember most about GableStage’s production of Red is a scene without words.

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GableStage’s Red Explores the Nature of Artistic Creation

By Bill Hirschman One of the few unspoken tenets of painter Mark Rothko’s cosmology in John Logan’s play Red is that creating art is the highest and holiest purpose of human life. In GableStage’s fine edition, Rothko struts and strides …

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Looking Back: The Best (and Worst) of the 2010-2011 Season

By Bill Hirschman (CORRECTED 9:47 A.M.) Theater reviewers must have a better than average ego to flatter themselves into believing that their judgment has worth, regardless of what anyone else thinks. So imagine critics asking each other for a reality …

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