Tag Archives: Joseph Adler
GableStage’s Admissions is one of the more uncomfortable evenings of theater that avowed liberals and proud progressives will sit through any time soon. It holds up an unsparing mirror that asks whether such advocates will stay true to their ideals when the consequences directly affect them and their families.
Some South Florida theaters are scrapping some of what they plan to put on stage this season or next. Some are leaving support positions unfilled. Some plan smaller cast shows. Some have sidelined plans for growth. Theaters are scrambling to cope with an unexpected 90 percent slash in state funding. But theater champions vow to fight back by organizing patrons and leading citizens to influence lawmakers.
Human beings’ desperate need for affirmation of their self-worth from some source outside themselves – whether it’s from a parent or strangers’ judgments – drives GableStage’s scorching production of Halley Feiffer’s I’m Going To Pray For You So Hard.
One pleasure of a theater critic’s job are these year-end retrospectives that require looking back at reviews and be reminded, “Oh, yeah, that was really great. And right, there was that. And how could I forget that one?”
A genial older woman with a warm smile, a self-deprecating charm and a cute mittel-European accent via Brooklyn greets the audience to her apartment like new neighbors. While packing for a move, she tells the story of her life in vignettes marked by humor and pathos. The narrator providing such good company is the titular heroine of Becoming Dr. Ruth, a one-woman bio-play.
GableStage’s production of The Humans is like watching a Kmart photo department family portrait that has been left too near a wall heater. Almost imperceptibly, the edges start to brown, the image shudders a bit, then the edges curl ever so slightly. And suddenly, the perfect image erupts in flames.
In what is believed to be a groundbreaking move, Palm Beach Dramaworks and GableStage plan a co-production of the acclaimed Broadway play Indecent to be next fall.
One pleasure watching a drag show regardless of your sexual orientation is the vicarious joy of seeing people uncorset their secreted urges and find the liberating self-worth to parade it publicly. That is the unspoken strength underlying the delightful hoot , The Legend of Georgia McBride at GableStage
Michael McKeever, a beloved and prolific figure in local theater, set a record Monday when he won his eighth Best New Work at Monday’s Carbonell Awards for the scorching drama After, but he was unable to accept the honor personally because he was in New York City the night before the opening of his play Daniel’s Husband, which won the same prize last year.
Dry Powder, GableStage’s excoriating tour that delves into the barren ethical landscape of big business is an unsparing drama whose copious humor comes from one character’s blithely limitless ability to do anything to maximize the bottom line with absolutely no concern for the human cost of her proposals.