Tag Archives: Joseph Adler
Quirky denizens of Stephen Adly Guirgis’ Between Riverside and Crazy strive to find second chances in GableStage’s production.
Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.
A specific plan finally has been unveiled by county officials and consultants for a new 300-seat theater on the site of the legendary Coconut Grove Playhouse – a plan which preserves some of the 1926 structure that has been deteriorating since it shuttered ten years ago
The South Florida Silver Palm Theatre Awards committee honoring theatrical excellence in South Florida will present the award to 28 individuals and organizations in its ninth season. Recipients range from veterans like Joseph Adler to newer names like Aygemang Clay.
Okay, yes, Hand to God has cute obscenity-spouting puppets having sex on stage, but the similarities to Avenue Q stops dead right there. This scorchingly funny and aggressively irreverent play at GableStage is a pitch black comedy about using the fiction of religion to rationalize and excuse the baser natural instincts of Mankind.
Audiences will relish the superb GableStage production of The Royale — Miami native Marco Ramirez’s insightful pile-driving play about boxing, celebrity, racism, race relations and personal responsibility.
When a company like GableStage takes risks so many others will not, there’s bound to be some triumphs, some failures, and mixed results as in A Minister’s Wife. The local artists give everything they have to pull off this intriguing chamber musical. It’s more the strange choice of a fascinating but flawed property that isn’t easy to love.
GableStage has produced a version Terrrence McNally’s satire about theater, It’s Only A Play, that is funnier and has far more heart than the Broadway edition.
2015 produced a wild variety of snapshots to paste in the theatrical scrapbooks: a male Dolly Levi, a homicidal dimwit slicing carrots, a kidnapper forcing her captives to learn nonsense, a tsunami engulfing a Japanese village, a green-gunked survivor of toxic sludge singing love songs to his blind librarian girlfriend. You know, just another year for regional theater in South Florida.
Like a spinning gem with an infinite number of glittering facets, GableStage’s kaleidoscopic production of Constellations is an outstanding achievement in playwriting, direction and some of the most skilled acting you may see this season.