Tag Archives: Michael McKeever

Dracula’s Prey At Zoetic: No Helpless Fainting Victims Here

In Zoetic Stage’s premiere Dracula, the vampire is a sexist pig (as are several men in the play). The protagonists are strong-willed proto-feminists. Together, they embody a society struggling with re-envisioning what self-empowered women can and should be. Michael McKeever’s script as directed by Stuart Meltzer presents social commentary told with droll, wry and self-aware humor, and the retelling of the classic horror narrative.

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Plans For Iris Acker Celebration & Donations Announced For Oct. 15

A “celebration’ of the life of Iris Acker – the iconic actress, teacher, producer and theater booster through her television shows — has been scheduled for 7 p.m. Monday October 15 at a location to be announced soon, said her son Mitch and her friend Tony Finstrom

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Grief, Coping Commingle With Comedic Culture Clash In McKeever’s Elegant Mr. Parker

When did yesterday’s renegades, who skirted AIDS and lived boheme on a ramen noodle diet in the go-go eighties, become today’s get-off-my-lawners? These questions, and plenty more, linger between the lines of Mr. Parker, Michael McKeever’s elegant dramedy world-premiering at Island City Stage.

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Main Street Stages Furiously Funny Hollywood Satire

You might want to don protective gear before seeing Clark Gable Slept Here, a pitch-black comedy by multi award-winning, versatile Miami-area playwright Michael McKeever. Folks won’t find a “splash zone” in the seating area at Main Street Players. That is where the unapologetically gnashing, shameless and hysterical satire has opened in a furiously funny production.

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Responsibility Examined In McKeever’s New ‘The Camp’

The Camp, a world premiere drama from the West Boca Theatre Company does not advance the age-old discussion how “good” people can be passively complicit in horrors, but Michael McKeever’s insightful script and a solid cast under Michael Leeds’ direction expertly provide a three-dimensional illustration that forces the audience to query their own souls about their responsibility to oppose evil.

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Shorts Gone Wild 5 Is Usual Mixed Bag — But With A Twist

Shorts Gone Wild 5, co-produced by City Theatre with Island City Stage, follows the same entertaining pattern eliciting guffaws, chuckles and a few choked back sniffles with risque and luight blue material. The acting and direction keeps improving year after year and those elements rescue scripts less deftly written. But this edition feels different for an intriguing reason.

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Regional Theaters Are The Country’s Primary Incubator of New Plays – Including SoFla

Indisputably, regional theaters have been a significant wellspring for new plays reaching back 30 years. But a quickening sea change has occurred quietly but demonstrably over the past decade: Regional theaters – once reliant on warhorses and the latest New York hit — have become the primary incubator and showcase for new work in America

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Beauty In The Eye Of The Beholder: McKeever’s Finding Mona Lisa At Actors’ Playhouse

The world premiere of Michael McKeever’s Finding Mona Lisa at Actors Playhouse initially might seem a light, fascinating beach read about Leonardo DaVinci’s masterpiece — a sometimes droll, sometimes broad comedy for a summer evening. But this episodic time-travelling romp is far more about the multi-faceted relationship of Art and human beings

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McKeever/Zoetic’s ‘After,’ GableStage’s ‘Royale’ Top Winners At 41st Carbonells

Michael McKeever, a beloved and prolific figure in local theater, set a record Monday when he won his eighth Best New Work at Monday’s Carbonell Awards for the scorching drama After, but he was unable to accept the honor personally because he was in New York City the night before the opening of his play Daniel’s Husband, which won the same prize last year.

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What Kind Of Year Was It? Our Critics’ “Best Of” 2016 Lists

Critics and award judges have been talking about it for weeks: The sheer amount of high quality work has made evaluating the last 12 months unusually challenging, but also an opportunity to remember one of the most rewarding calendar years in recent memory. So here’s a supremely subjective stab by all three critics here at Florida Theater On Stage at recognizing the shows and performances that stood out from a pack of productions.

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